Exhibition catalogue published in conjunction with show held September 7 - October 7, 2006. Introduction by Robert Mnuchin and Dominique Lévy. Includes 19 color plates of Andy Warhol's Mao series and exhibition checklist. [details]
Artist's book published as a supplement to Entry No. 25 of "The Journal." Series of photographs by Peter Coffin taken in conjunction with Cinimod Studio for the art project "Untitled (UFO)." [details]
Artist's book published as part of the CCA Artist's Book series conceived by Nobuo Nakamura and Akiko Miyake. Incorporating appropriated photographs and no text. [details]
Periodical published in conjunction with Amy Sillman exhibition titled "Transformer - or, how many lightbulbs does it take to change a painting?" held at Sikkema Jenkins Gallery, April 15 - May 15, 2010. ... [details]
Artist's book composed of a series of images and text in Japanese and English. [details]
Exhibition catalogue published in conjunction with four show: Galerie Max Hetzler, Köln, Germany, November 17 - December 23, 1989 ; Villa Arson, Nice, France, March 2 - April 7, 1990 ; Luhring Augustine Hetzler Gallery, Santa Monica, CA, March 2 - April 7, 1990 ; and Metro Pictures, New York, March 10 - April 7, 1990. ... [details]
Issue number nine of the bi-annually published periodical F.R. David. Edited and designed by Will Holder. Essays "Letter to a Funeral Parlour," by Lydia Davis; "Often I am permitted to return to a meadow," by Robert Duncan; "Practical Stylistics (Chapter 3)," by H. ... [details]
Coloring book published in conjunction with exhibition, "Maurzio Cattelan : All," held November 4, 2011 - January 22, 2012. Composed of illustrations by Peter Raphael Castro and Chad Kloepfer with additional assistance by Neelima Narayanan, portraying installation view of the exhibition in coloring book style. [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
Exhibition catalogue published in conjunction with show held at Sadie Coles HQ, London, November 2005. Edited by Richard Prince and Lorraine Wild. Text by Richard Brautigan. "There are no smoking cowboys swinging their lassoes or bare-breasted blondes on heavy motorcycles in this droll collection of highly expressive drawings and watercolors. ... [details]
