"This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman’s radical painting has fundamentally shifted the definitions and boundaries of art. ... [details]
Critical theory by Suzanne P. Hudson. "In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his more recent gallery shows. ... [details]
"This publication is part of Maria Eichhorn's project 'The Artist's Contract.' From 1996 to 2005 Eichhorn conducted interviews with artists, art dealers, and the authors of 'The Artist's Reserved Rights Transfer and Sale Agreement,' [Seth Siegelaub and Robert Projansky]. ... [details]
"'The Absolute Paradox' [Le paradoxe absolu] was written in 1990. Robert Ryman cited remarks were noted in the course of many visits to his studio in 1989 and 1990. They were spoken in English by immediately transcribed in French and then retranslated into English for this book, and thus may differ slightly from the original. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Documents the work of André Cadere from 1971-1978. Text and essays by Karola Grässlin, Astrid Ihle, Fabrice Hergott, and Alexander von Grevenstein. "Best known for his 1970s Barres de bois rond, wooden bars made of painted cylindrical segments, Cadere regularly upended the status quo by bringing his staff-like sculptural works to openings for other artists that he admired or was close to, such as Robert Ryman or Barnett Newman--whether he was invited to do so or not. ... [details]
Exhibition catalogue published in conjunction with show held March 14.04 - August 2, 2004. Essays by Diedrich Diedrichsen, Jonathan Flatley, Timothy Martin, James Meyer and Anne Rorimer. Exhibition curator Ann Goldstein contributes an introduction. ... [details]
Exhibition catalogue published in conjunction with show held November 19, 2004 - January 8, 2005. Contains two-page introduction essay by Ryman. Fully illustrated and exhibition checklist. [details]
Exhibition catalogue for show, organized by Nancy Spector and Lisa Dennison, March 5 - May 19, 2004. Exhibition examined minimal and conceptual works largely from the Guggenheim's Panza Collection and it's permanent collection, as well as a smattering of works loaned from outside colleciton inclusive of Carl Andre, Jo Baer, Larry Bell, James Lee Byars, Walter De Maria, Dan Flavin, Liam Gillick, Robert Gober, Felix Gonzalez-Torres, Peter Halley, Jene Highstein, Damien Hirst, Roni Horn, Callum Innes, Robert Irwin, Donald Judd, Ellsworth Kelly, Koo Jeong-a, Joseph Kosuth, Wolfgang Laib, Sherrie Levine, Sol LeWitt, Glenn Ligon, Richard Long, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Allen McCollum, John McCracken, Robert Morris, Bruce Nauman, Roman Opalka, Robert Rauschenberg, Charles Ray, Ad Reinhardt, Gerhard Richter, Dorothea Rockburne, Robert Ryman, Karin Sander, Richard Serra, Tony Smith, Ettore Spaletti, Frank Stella, Rudolf Stingel, Hiroshi Sugimoto, james Turrell, Meg Webster, Lawrence Weiner, Doug Wheeler, Rachel Whiteread. ... [details]
An impressive book in which Siegelaub reconnects with artists he engaged with in the late 1960s with in the exhibition March 1969 as well as within the exhibitions Op Losse Schroeven, Live in Your Head, When Attitudes Become Form, Konzeption Conception, and Prospekt 69. ... [details]
