Issue edited by Ida Panicelli. Essays "Troubleshooters: David Sternbach on Blue Planet, Green Dollars," by David Sternbach; "Commedia Dell'Arte: A Project for Artforum," by Mark Alan Stamaty; "Slant: Thomas Crow on Being 'Economical with the Truth,'" by Thomas Crow; "Democracy, Inc. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Barbara Ehrenreich on the Moral Majority," by Barbara Ehrenreich; "Democracy, Inc.: Gary Indiana on Censorship in the Arts," by Gary Indiana; "The Cave: Jeanne Silverthorne on 'Batman,'" by Jeanne Silverthorne; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Environment: Molly Hankwitz on Ideal Cities," by Molly Hankwitz; "Like Art: Glenn O'Brien on Video Games," by Glenn O'Brien; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Undertone: David Sternbach on Rap," by David Sternbach; "At First Light: A Glance at the Discovery and Early Years of Photography," by Amy Baker Sandback; "Parts and Parcels: Thomas Virnich," by Annelie Pohlen; "Cubist Hypochondria: On the Case of Picasso and Braque," by Donald Kuspit; "This is Only a Test: Chris Burden," by C. ... [details]
Collection of essays published in Flash Art Magazine from it's inception in 1969 to 1989. Edited by Giancarlo Politi and Helena Kontova. Essays by Giancarlo Politi, Helena Kontova, Germano Celant, Piero Gilardi, Robert Smithson, Jean Baudrillard , Donald Karshan, Charles Harrison, Agnes Martin, Ann Wilson, Rosetta Brooks, Barbara Radice, François Pluchart, Charles Dreyfus, Peter Gorsen, Douglas Crimp, Thomas Lawson, David Salle, Carrie Rickey, Achille Bonito Oliva, Jeffrey Deitch, Annelie Pohlen, Ernst Busche, Sherrie Levine, Paul Groot, Nicolas A. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: A Park Grows in Paris. bernard Tschumi's La Villette Project"; "Modern Life: After the Loss of Challenger, the Cost of Instant Replay," by Carter Ratcliff; "Like Art: Surrealism with Everything on it," by Glenn O'Brien; "Turned Out: The Return of an Endangered Species - the Artist's Model," by William Wilson; "Ground Up: The Picturesque of the Urbanesque," by Herbert Muschamp; "The Cave: German Film's Archaeology of the Present Past," by Wolfram Schutte; "Speaker to Speaker: Blowing in the Wind or Facing Into It, Writing a Song or Crafting a Career - For Example, Bob Dylan," by Greil Marcus; "Building a Passage: Reflections on the Vision of Gae Aulenti," by Vittorio Gregotti; "The Imagination in Sheep's Clothing: Francois Boucher Delivered from the Guillotine of Taste, and 'Living Fragonardishly' Today," by Lisa Liebmann; "Courbet the Moon, Van Gogh the Wind: Glimpses of the Sound in a Seashell, Project for Artforum," by Pat Steir; "Through the Narrative Portal: Our Stake in the Plot Thickens," by Max Kozloff; "Wrestling the Image into Shape: Rebecca Howland's Vulture-Culture Sculpture," by Carlo McCormick; "Mel Bochner: Point to Point, the Thought of Emotion, The Feel of Thinking," by Jan Van Der Marck. ... [details]
Issue edited by Ingrid Sischy. Essays "Diagnostic Malpractice: The Nazi's on Modern Art, Germany, 1937," by Donald Kuspit: "Rites of Exchange: Louise Lawler, from Place to Place and Hand to Hand, with a Project by the Artist," by Kate Linker; "Locus Lotus: Omnidimensional Archeologies, Project for Artforum," by Shoichi Ida; "In the Twentieth Century C. ... [details]
Issue edited by Ingrid Sischy. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. ... [details]
Issue edited by Bice Curiger. Essays "Scott Burton," by Nancy Princenthal; "Contributions By: Jeanne Silberthorne, Patrick Frey, Rein Wolfs, Chris Dercon, Robert Storr," by Bruce Nauman; "Daredevil - Narrative Strategies In Everyday Myths," by Michael Fitzgerald and Justen Ladda; "Hanne Darboven - Or The Dimension Of Time And Culture," by Jean-Pierre Bordaz; "For Enzo Cucchi's Exhibition At The Guggenheim-Museum, New York, Spring 1986," by Mario Diacono; "Les Infos Du Paradis, The Reina Sofia Art Center, Madrid," by Francisco Calvo Serraller; "Cumulus Von Europa," by Annelie Pohlen; "Cumulus From America," by Richard Armstrong; "Mario Botta in Conversation With Bice Curiger," by Mario Botta. ... [details]
Issue edited by Ingrid Sischy. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. ... [details]
Issue edited by Ingrid Sischy. Essays "The Arc of a diver - Judy Pfaff," by John Yau; "Vienna and Her Sisters, A Parable, with Strings," by Lisa Liebmann; "The Art of Filming Painting: Derek Jarman and Caravaggio, Peter Greenaway and Jan Vermeer, Paul Leduc and Frida Kahlo," by Wolfram Schutte; "Taking Liberty with Symbols," by Herbert Muschamp; "The Tourist Industry's Dramamine Against Terrorism: Seeing the World Through Travel Ads," by Glenn O'Brien; "The Big Fight. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Balancing Bigger and Smaller, Alberto Burri's Studio," by Ida Panicelli; "Modern Life: Close Encounters with Unidentified Flying Zeitgeists," by Carter Ratcliff; "Turned Out: Biology 101 invades Art History 407. ... [details]