Part of the "One Work" book series which presents a single work of art written about by a single author. "In the mid-1980s, the Canadian art group General Idea (AA Bronson, Felix Partz, and Jorge Zontal) created a symbol using the acronym AIDS, arranging the letters in a manner that resembled Robert Indiana's famous LOVE logo. ... [details]
Exhibition catalogue published in conjunction with show held October 8, 1997 - January 11, 1998. Guest curated by Fern Bayer, organized by Christina Ritchie. Texts by Fern Bayer, Christina Ritchie and AA Bronson. ... [details]
Exhibition catalogue published in conjunction with show celebrating the donation by General Idea of 152 Showcards to the Canadian Museum of Contemporary Photography in 1993, held February 2 - April 10, 1994. ... [details]
Catalogue raisonné of the multiples of General Idea. Includes an interview between General Idea and Sandy Simpson, and a second interview with Carolyn White. Edited by Fern Bayer. Contains a complete list of works produced from 1967 - 1993. ... [details]
Exhibition catalogue published in conjunction with show held September - October, 1992. Texts by General Idea, in English and Spanish. [details]
Final issue of File Megazine published in 1989 and edited by General Idea. "This last issue of FILE looks at the City, and interventions in the life of the city." Contains artists' projects by Matt Mullican and Krzysztof Wodiczko and public art projects by Dennis Adams, Alan Belcher and Dennis Oleksijczuk. ... [details]
Monograph on General Idea's AIDS project published in celebration of the the 1988 Gershon Iskowitz Foundation 1998 Prize recipients, AA Bronson Felix Partz and Jorge Zontal of General Idea. Text by Allan Schwartzman. [details]
Next to last issue of File Megazine critiques the art market on the heals of the sale of Vincent van Gogh's masterpiece Sunflowers for a then record price of $39,921,750 on March 30, 1987 at Christie's. ... [details]
Edited by General Idea, AA Bronson, Felix Partz, and Jorge Zontal. Cover and contents "Diane Frankenstein," by John Scott, based on Mary Shelley's "Frankenstein." [details]
Two sided card published in conjunction with exhibition held January 13 - February 17, 1985. Recto features reproduction of "P is for Poodle," 1983. [details]