Issue edited by Tom Griffin. Essays "Editor's Letter: Value Systems," by Tim Griffin; "Passages: Lynne Cooke on Hanne Darboven," by Lynne Cooke; "Passages: Christopher Williams on Coosje van Bruggen," by Christopher Williams; "Books: Hal Foster on Peter Sloterdijk's 'Terror from the Air,'" by Hal Foster; "Books: Brigitte Weingart on Michael Taussig's 'What Color Is the Sacred,'" by Brigitte Weingart; "Film: James Quandt on Lucrecia Martel's 'The Headless Woman,'" by James Quandt; "Film: Richard Deming on Kenneth Macpherson's 'Monkeys' Moon,'" by Richard Deming; "Film: Bruce Jenkins on Paul Sharits," by Bruce Jenkins; "On Site: Claire Bishop on Tania Bruguera at the 10th Havana Biennial," by Claire Bishop; "On Site: Taraneh Fazeli on Night School," by Taraneh Fazeli; "On Site: Maria Gough on 'Tango with Cows,'" by Maria Gough; "Top Ten," by Lindsay Seers; "Situation Hacker: The Art of Ryan Trecartin," by Wayne Koestenbaum; "In Conversation: Rirkrit Tiravanija and Yoko Ono"; "The Personal Effects of Seth Price," by Tim Griffin; "How German Was It?" by Benjamin H. ... [details]
Exhibition catalogue published in conjunction with show held November 6 - December 12, 2009. Curated and with texts by Ted Purves, Sarah Robayo Sheridan and Steven Leiber. Artists include Keith Arnatt, Jan Dibbets, Peter Weibel, Valie Export, Marinus Boezem, David Hall, Chris Burden, Stan Douglas, Jim Eller, Yoko Ono, Ed Ruscha, Stephen Kaltenbach, Dan Graham, Joseph Kosuth, Walter Battiss, Lynda Benglis, Hamish Fulton, Herman de Vries, Endre Tot, Daniel Buren, United Art Contractors, Skip Arnold, Jeff Koons, Ryan Gander, Giovanni Anselmo, Joseph Beuys, Alighiero Boetti, Stanley Brouwn, Pier Paolo Calzolari, Gino De Dominicis, Ger van Elk, Gilbert & George, Garry Kuehn, Mario Merz, Klaus Rinke, Reiner Ruthenbeck, Ulrich Rückriem, Richard Serra, Keith Sonnier, Franz Erhard Walther, Lawrence Weiner and Gilberto Zorio. [details]
Exhibition catalogue published in conjunction with show held December 1, 2006 - February 25, 2007. Texts by Kitty Scott, Jonathan Shaughnessy, Peggy Gale, AA Bronson. Documents the "top 100" works from the Art Metropole works in the Art Metropole Collection held by the National Gallery of Canada. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Faux periodical / artist''s publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. ... [details]
Exhibition catalogue published in conjunction with show "Vidas Perdidas / Lost Lives" held January 19 - February 18, 1989. Contributions by Shifra M. Goldman, Jeff Kelley, Guillermo Gómez-Peña, Michael Schnorr, Emily Hicks, Robert Sánchez, Ronald J. ... [details]
Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. ... [details]
Issue edited by Joseph Masheck. Essays "Situation Esthetics: Impermanent Art and the Seventies Audience"; "John Gutmann: A Transported Vision," by Carol Squiers; "Beuys: The Twilight of the Idol," by Benjamin H. ... [details]
Issue edited by Joseph Masheck. Essays "'Martin Puryear's Sculpture," by Jonathan Crary; "Monument - Sculpture - Earthwork," by Nancy Foote; "Cosmetic Transcendentalism: Surface-Light in John Torreano, Rodney Ripps and Lynda Benglis," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essay "Alexander Rodchenko: The Simple and the Commonplace," by Hugh Adams; "The Photomontages of José Renau," by Carole Naggar; "Franz Kline's Color Abstractions: Remembering and Looking Afresh," by Budd Hopkins; "Michael Goldberg's New Paintings," by John Johnston; "Angela Jansen, Printmaker," by Francine Tyler; "Seven Artists of Israel," by Steven Kasher; "Oliver Lee Jackson: Forms that Feeling Takes," by Regina Hackett; "Planar Constructions and the Planar Dimension," by Erik Saxon; "Books: 'The Third Mind,'" by Nicolas Calas. ... [details]