January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Issue edited by Philip Leider. Essays "Bochner at MOMA: Three Ideas and Seven Procedures," by Robert Pincus-Witten; "Color, Culture, The Stations: Notes on the Barnett Newman Memorial Exhibition," by Lawrence Alloway; "Stella's New Work and the Problem of Series," by Rosalind Krauss; "Thomas Bang," by Kenneth Baker; "Mondrian, Newman, Noland: Two Notes on Changes of Style," by John Elderfield; "Mondrian in New York," by Barbara Rose; "Four Short Essays on Vuillard," by Max Kozloff; "Meaning in the Art of Duchamp (Part I)," by Willis Domingo. ... [details]
Issue edited by Philip Leider. Essays "Toward Snow," by Annette Michelson; "Problems of Polychromy: Michael Bolus," by Michael Fried; "An Interview with Don Judd," by John Coplans; "Drawing in Cézanne," by John Elderfield; "Touch and Scale: Cubism, Pollock, Newman, Still," by Walter D. ... [details]
Issue edited by Philip Leider. Essays "On the Liberation of Architecture," by Melvin Charney; "The Panama Canal and Some other Works of Work," by Joseph Masheck; "Recent Paintings by Joan Snyder," by Marcia Tucker; "An Interview with Robert Ryman," by Phyllis Tuchman; "Christopher Wilmarth: A Note on Pictorial Sculpture," by Robert Pincus-Witten; "On Constructivism," by John Elderfield; "Five Photographs," by Diane Arbus; "The Art of Maurice Sendak," by Selma G. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "Caro's Abstractness," by Michael Fried; "The Artist and Politics: A Symposium," by Carl Andre, Jo Baer, Walter Darby Bannard, Billy Al Bengston, Rosemarie Castoro, Rafael Ferrer, Don Judd, Irving Petlin, Ed Ruscha, Richard Serra, and Lawrence Weiner; "How I Spent my Summer Vacation," by Philip Leider; "Goodbye, Architecture," by Helmut C. ... [details]
Issue edited by Philip Leider. Essays "Thomas Couture and the Theatricalization of Action in 19th Century Painting," by Michael Fried; "Fining it Down: Don Judd at Castelli," by Robert Pincus-Witten; "Ronald Bladen and Robert Murray in Vancouver," by Dennis Wheeler; "An Interview with Carl Andre," by Phyllis Tuchman; "Three Notes on an Exhibition as a Work," by Annette Michelson; "A Memoir of Zadkine," by Sidney Geist; "Geometric Abstract Painting and Paris in the Thirties, Part II," by John Elderfield; "19th Century American Art at the Met: 1. ... [details]
Issue edited by Philip Leider. Essays "Die Brücke at Cornell," by Reinhold A. Heller; "Morris Louis: Unfurleds and Omegas," by Kenworth Moffett; "A Synthesis," by Alan Saret; "Geometric Abstract Painting and Paris in the Thirties, Part I," by John Elderfield; "An Interview with Eva Hesse," by Cindy Nemser; "Paolo Soleri," by Donald Wall; "Excerpts from Speculation (1967-1970)," by Mel Bochner. ... [details]
Issue edited by Philip Leider. Essays "Les Levine: Business as Usual," by Jack Burnham; "Abstraction and Literalism: Reflections on Stella at the Modern," by Philip Leider; "An Ilya Bolotowsky Retrospective Travels the West," by Knute Stiles; "Clyfford Still and the Gothic Imagination," by Patrick McCaughey; "Some Notes on the Phenomenology of Making," by Robert Morris; "An Interview with Robert Rohm," by Ralph Pomeroy; "The Year 1200 at the Metropolitan," by William W. ... [details]
