Exhibition in the form of a book published April - May, 2020. "Without a place to go to experience art and without a place to go to share art. Thinking the next best thing to an object is not an online viewing room but a page. ... [details]
Volume one of a catalogue raisonné of the early works (1956 - 1974) of John Baldessari. Edited by Patrick Pardo and Robert Dean, with an essay by Yve-Alain Bois and an interview between John Baldessari and Christopher Knight. ... [details]
Exhibition catalogue published in conjunction with show held March 1 - May 27, 2012. Curated by Elisabeth Sussman and Jay Sanders. Essays by Adam D. Weinberg, Eric Banks, Jay Sanders, Elisabeth Sussman, Thomas Beard, Ed Halter, John Kelsey, and Andrea Fraser. ... [details]
Monograph published in celebration of more than 20 years of exhibitions at Witte de With in Rotterdam. Edited by Zoë Gray, Nicolaus Schafhausen, and Monica Szewczyk. Essays by Koen Kleijn, Andrew Renton, and Ken Lum. ... [details]
Exhibition catalogue published in conjunction with show held April 7 - May 7, 2011. Essays by Alex Kitnick and André Rottmann. Includes checklist of the exhibition and a selected bibliography. [details]
Issue edited by Bice Curiger. Contents include: "Jay Sanders Reads John Knight," by Jay Sanders and John Knight; " "Coexistence, Yes, Equivalence, No." Francesco Bonami in conversation with H.D. Buchloh; "What Do You Plan to Do Next?," John Baldessari in conversation with James Welling; "Revealing Concealing," by Rainer Fuchs; "With Baldessari's Marilyn," by Alexander van Grevenstein; "The Problem with Library Taxonomy," Carol Bove in conversation with Philip Smith; "The Wormhole Theory," by Martin Herbert; "Style and Pastiche," Carol Bove in conversation with Bettina Funcke; "Shadow Play,"by Tom McDonough; "About Overlapping Cultural Histories of Production in Art, Design, and Fashion," by Josiah McElheny in conversation with Lynne Cooke; "Play and Display," by Branden W. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. ... [details]
Exhibition catalogue published in conjunction with show held September 21, 2007 - October 20, 2007. Includes essay, "When Attitude Becomes Commodities (Become Attitudes)" written by exhibition curator Jens Hoffmann. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]