Exhibition catalogue published in conjunction with "Artists Make Toys" exhibition held at The Clocktower, New York, January 1 - 25, 1975. Artist include Laurie Anderson, Jared Bark, Trisha Brown, Chris Burden, Scott Burton, John Chamberlain, Angus Chamberlain, Enrique Castro-Cid, Cara Croninger, Brad Davis, Jean Dupuy, Steve Gianakos, Charles Ginnever, Michael Goldberg, Peter Gourfain, James Grashow, Marty Greenbaum, Bob Grosvenor, Susan Hall, Sue Hartnett, Peter Hutchinson, Bob Israel, Laurace James, Kurt Kranz, Robert Kushner, Jeffrey Lew, Les Levine, Kim MacConnel, Christa Maiwald, Gordon Matta-Clark, Richard Mock, Ree Morton, Frosty Myers, Max Neuhaus, Richard Nonas, Claes Oldenburg, Gary Perkins, Howardina Pindell, Lucio Pozzi, Italo Scanga, Willougby Sharp, Alan Shields, Charles Simonds, Marjorie Strider, George Sugarman, Don Sunseri, Richard Tuttle, Richard Van Buren, Bob Watts, Susan Weil, Hannah Wilke and Joe Zucker. ... [details]
Magazine of New Music. Essays "Emergency Solos 1975," by Christina Kubisch; "Doris Hays on Life and Art," by Doris Hays; "Summer Sunday Performance Series in Toranto, Canada," by Bob Davis; "Towards a Composer's Orchestra," by Daniel Goode and Philip Corner; "Public Music," by Peter Gordon; "Who's Doing It," by Beth Anderson; "The Number Six," by Charlie Morrow; "A Story," by Henri Toulouse- Lautrec; "Music at Naropa," by Richard Hayman; "Old Tuning Systems for Young Composers" by Rhys Chatham; "Heavens," by Jackson Mac Low. [details]
Poster published in conjunction with "Artists Make Toys" held at The Clocktower, New York, January 1 - February 15, 1975. Image features a topless Hannah Wilke in a bed with a fully clothed Claes Oldenburg. ... [details]
Issue edited by Beryl Korot and Ira Schneider. Essays "What Matters Most: A Collection of Concerns"; "The Video Carrot," by Jeff Strickler; "Don't Try to Understand Media - Know Thyself," by George Gordon; "Implications of the New Television for the Open Classroom," by John Le Baron; "Implications of the New Television for the Open Classroom," by John Le Baron; " "The Great Plastic Weekly Video Magazine," by Chuck Anderson; "The Tactics of the Truth," by Irving Falk; "Video in a Psychiatric Context," by Bob Behr; "Aesthetics of the Portapak," by Phillip Lopate; "Three Propositions, Two Frameworks and an Indictment," by Kit Laybourne; "Teaching and Reflecting," by Joe Petner and Susan Sherwood; "An Attempt at Video Research," by Mitch Ackerman; "Action for Children's Television," by Maggi Cowlan; "Invitation to a Video Forum," by Anne Page; "Introductory Video Excercises," by Quincy Bent; "Portraits," by Kit Laybourne; "Theater Gaming," Gerry Laybourne; "Music, Movement and Video," by Peter Haratonik; "6:00 News," by Bruce Cost; "Neighborhood Documentary," by Larry Goldin; "Video Animation," by Chuck Anderson; "In-depth Interviews," by Kit Laybourne; "Creative Electrography," by Aldo Tambellini; "Reading: Experience Through Video," by Peter Haratonik; "Resources That Will Help"; "The Evolution of a Non-Program," by Chuck Anderson; "Video in a Therapeutic Community," by Bruce Cost; "A New Approach in Higher Education," by Jane Garmey and Jeff Bush; "Student-Centered ETV Broadcasting," by Ellen Miles; "Video for Migrant Children," by David Jonassen; "Project TV: Video as a Second Language," by Jim Kearney; "Video Catalyst," by Peter Haratonik; "Inner-City Video," by Jon Dunn; "Kids Today: A Cable Project," by Paul Rabin and Myles Halsband; "Creating an Elementary School Video Environment," by Jeff Strickler; "Video and the Public Library," by Walter Dale. [details]
Exhibition catalogue published in conjunction with show held November 20, 1974 - April 1, 1975. Text by Marty Dunn, Peggy Gale, and Gary Neill Kennedy and artist's statements. Artists include David Askevold, Dana W. ... [details]
Exhibition catalogue published in conjunction with show held November 9 - December 9, 1973. Catalogue prepared by Louise Sperling and Richard S. Field. Artists include Peter Blake, John Clem Clarke, John Constable, Ron Davis, Bill Davison, Peter Dechar, Jim Dine, Michael English, Richard Estes, Eugene Feldman, Joe Goode, Adolph Gottlieb, Bob Graham, Melissa Gurdus, Richard Hamilton, Robert Indiana, Paul Jenkins, Jasper Johns, Alex Katz, Edward Kienholz, Roy Lichtenstein, Lowell Nesbitt, Georgia O'Keeffe, Claes Oldenburg, Kenneth Price, Robert Rauschenberg, John Salt, Andrew Stasik, Frank Stella and Andy Warhol. ... [details]
Issue edited by Jim Buckley. Cover art by Yossarian. Essays "Screw You," by Jim Buckley; "How to Eat My Pussy," by Ortrud Aronowitz; "I Remember la Mama : An Interview with Ellen Stewart," by Jim Buckley and Bob Weiner; "Hot Stiff in the Moonlight," by Michael Sidney; illustration by Yossarian; "My Scene : Tote That Box, Lift That Skirt," by Izak Naber; "Sex Scene," edited by Anthony Gambino; "Homosexual Citizen : Does Michael Maye Suck Cock?" by Lige and Jack; "Fuckbooks : Zimmerman's the Name, Dylan's the Game," by Michael Perkins; "Dirty Diversions : Gulp!" by Al Goldstein; "Naked City," edited by Anthony Gambino; "Shit List," by Jim Buckley; "Watson's Weirdness," by Christopher Watson. [details]
Issue edited by Jim Buckley. Cover art by Tom Hachtman. Essays "Screw You," by Jim Buckley; "Fake Fucking in the Fun House," by Jim Buckley; "Oui, Oui, Ennui!" by W.R. Mobley; "My Scene : Not for Nothing Do They Call It a Cockpit," by Marshall Shelsy; "Rock & Raunch : Ike and Tina Turn-On," by Bob Weiner; "Sex Scene," edited by David Reitman; "Homosexual Citizen : The Greatest Story Ever Told," by Lige and Jack; "Fuckbooks : Does David Niven Suck Cock?" by Michael Perkins; "Dirty Diversions," by Al Goldstein; "Naked City," edited by Anthony Gambino; "Shit List," by Jim Buckley; "Watson's Weirdness," by Christopher Watson. [details]
Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. ... [details]
Book of critical theory outlining the intersection of mediums in art after 1950. Edited by Gerald Woods, Philip Thompson and John Williams. Artists include Valerio Adami, Michelangelo Antonioni, Dennis Bailey, Saul Bass, Lester Beall, Max Bill, Derek Birdsall, Jan Bons, Walerian Borowczyk , Mark Boyle, Bill Brandt, Robert Brownjohn, Alberto Burri, Pol Bury, Mel Calman, Antonio Carena, Eugenio Carmi, Mario Ceroli, Chermayeff and Geismar, Christo, Chryssa, Roman Cieslewicz, Giulio Cittato, Bob Cobbing, Crosby / Fletcher / Forbes, Wim Crouwel, Allan D'Arcangelo, Rudolph De Harak, Eric De Maré, Walter de Maria, Feder, Jean-Michel Folon, Lucio Fontana, André François, Anthony Froshaug, Geoffrey Gale, Pietro Gallina, Frank Gallo, Winfred Gaul, Juan Genoves, Jean-Luc Godard, Franco Grignani, Richard Hamilton, Dick Higgins, David Hockney, Dom Sylvester Houédard, John Kaine, William Klein, Ferdinand Kriwet, Jan Lenica, Sol LeWitt, Romek Marber, Robert Massin, Hansjorg Mayer, Raymond Moore, Joseph Müller-Brockmann , Siegfried Odermatt, Rosemarie Tissi, Claes Oldenburg, Giovanni Pintori, Michelangelo Pistoletto, Paul Rand, Robert Rauschenberg, Roger Raveel, Alain Robbe-Grillet, Diter Rot, Hans Schleger, Peter Schmidt, Richard Smith, Stefan and Franciszka Themerson, Jan Tschichold, Stan Vanderbeek, Tom Wesselmann, Kurt Wirth, Henry Wolf and Edward Wright. ... [details]