Mailed exhibition brochure / announcement published in conjunction with show held November 12 - December 15, 1976. Features essays by Harold Rosenberg and Thomas B. Hess. Printed in black-and-white. [details]
A critical anthology on Super Realism edited by Gregory Battcock. Essays "The Real Thing," by Gerrit Henry; "Rent is the Only Reality, or the Hotel Instead of the Hymns," by Ivan Karp; "The Deductive Image," by J. ... [details]
Exhibition catalogue published in conjunction with show held at Richard Gray Gallery, Chicago, October 4 - November 16, 1974. Introduction by Harold Rosenberg. Includes checklist. Printed in black-and-white and color. [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "Monuments for Nowhere or Anywhere," by Dore Ashton; " "Art in the Service of the Left?," by Battcock; "The Relevance of Ecology," by Jonathan Benthall; "The Fake as More," by Cheryl Bernstein; "Problems of Criticism," by Jack Burnham; "Art After Philosopy, I and II," by Joseph Kosuth; "The Art Workers' Coalition," by Lucy Lippard; "The Eruption of Anti-Art," by Ursula Meyer; "It's Only Words," by John Perreault; "Four Interviews," Arthur Rose [Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner]; "Art and Words," by Harold Rosenberg; "On Exhibitions and the World at Large: A Conversation with Seth Siegelaub"; "Documentation in Conceptual Art," by Lawrence Weiner, Daniel Buren, Mel Bochner, and Sol LeWitt; "The Decline and Fall of the Avant-Garde," by Robert Hughes; and "Les Levine Replies," by Les Levine. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "End of an Era," by Dore Ashton; "Humanism and Reality - Thek and Warhol," by Battcock; "Jasper Johns: Stories and Ideas," by John Cage; "The Creative Act," by Marcel Duchamp; "The Art Audience and the Critic," by Henry Geldzahler; "Th Big Canvas," by E. ... [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
Revised version of the exhibition catalogue originally published in conjunction with show held at the Los Angeles County Museum of Art, July - August 1965. Foreword by Maurice Tuchman. Excerpted text by Lawrence Alloway, Robert Goldwater, Clement Greenberg, Harold Rosenberg, William Rubin, and Meyer Schapiro. ... [details]
The classic critical text by Harold Rosenberg. Printed in black-and-white. [details]
Exhibition catalogue published in conjunction with show held October 9, 1969 - February 8, 1970. Text by Henry Geldzahler, with additional contributions by Michael Fried, Clement Greenberg, Harold Rosenberg, Robert Rosenblum, and William Rubin. ... [details]
"For the first time it is possible for admirers of mdoern art to appreciate fully the magnificent achievement of the New York School by finding this major book over 300 paintings, sculptures, and drawings by fort-three artists working in the styles known as Abstract Expressionism, Color-Field Painting, pop Art, and Minimal Art. ... [details]