Exhibition catalogue published in conjunction with show held at The Museum of Contemporary Art, Los Angeles, June 20 - August 15, 1993. Traveled to Kölnischer Kunstverein, Köln, Germany, March 15 - May 15, 1994 ; Musée d'Art Moderne de la Ville de Paris, France, June 22 - September 20, 1994 ; and the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, January 31 - April 17, 1995. ... [details]
Issue edited by Bice Curiger. Essays "About Faces: Alice Neel's Portraits," by Nancy Princenthal; "On Barnett Newman," by Peter Halley / Jeremy Gilbert-Rolfe; "Robert Wilson, Scenographer," by Hans-Thies Lehmann; "In Robert Wilson's Forest," by Klaus Kertess; "Robert Wilson: Theater History, Theater As History," by Ellen Levy; "Wilson's Einstein Chair," by Trevor Fairbrother; "Great Day In The Morning," by Christine Grandjean; "The Weight Of A Grain Of Dust," by Jacqueline Burckhardt / Bice Curiger; "Les Infos Du Paradis: Symmetries - An Inquiry By Parkett," by unattributed artists; "Cumulus Aus Europa," by Jutta Koether; "Cumulus From America," by Robert Pincus-Witten; "Balkon: Hydro Iconography," by unattributed artists. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World," Andrew Solomon on the Art of Perestroika; "Here There & Otherwise," John Welchman on Elsewhere; "Like Art," Glenn O'Brien on Advertising; "Special Effects," Carol Squiers on the News and its Pictures; "Books," Jeremy Gilbert-Rolfe on "Peter Halley: Collected Essays 1981 - 87"; "The World According to Douglas Huebler," by Colin Gardner; "The Benefit of Doubt or Loving Modernism to Death," by Judith Russi Kirshner; "Charon's Boat," by Francesco Pellizzi; "Image of a Second Skin," by Mark Holborn; "Miguel Angel Rios: Epics from the Earth," by Frederick Ted Castle; "A Gentle Guide," by Ida Panicelli, an Introduction to "Territory"; "Territory: A Project for Artforum," by Leonel Moura; "Face(t)s: Notes on Faciality," by John Welchman. ... [details]
Issue edited by Ida Panicelli. Essays "Books," Jeremy Gilbert-Rolfe on Fashion and Surrealism; "Object," Alessandro Mendini on Design; "Remote Control," Barbara Kruger on Television; "Curies' Children," Vilém Flusser on Discovery; "Believe it or Not," J. ... [details]
Issue no. 43 in the series of publications Repères : Cahiers d'Art Contemporain. Issue focuses on the artist Roni Horn. Text by Jeremy Gilbert-Rolfe. Includes exhibition history. Printed in black-and-white and color. ... [details]
Fall 1985 issue of JOURNAL, edited by Lane Relyea. Featured edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Multiplicity, Proliferation, Reconvention," by Jeremy Gilbert-Rolfe and John Johnston; "Two Crowds with Shape of Reason Missing," by John Baldessari; "Century," by Robert Ryman; "To a Swan," by David Shapiro; "Multiplicity, Proliferation, Reconvention," The Editors; "Idea as Multiplicity," by Gilles Deleuze; "On Line," by Peter Halley; "Notes on the Kaleidoscope and Stereoscope," by Jonathan Crary; "Thomas Nozkowski: Painting and Proliferation," by Joseph Masheck; "Mass, Crowd and Pack," by Michel Feher; "Lui/un Autre," by Gary Parent; "Some Notes on Proliferation, Process, History," by Sandy Cohen; "Nature," by Kimball Lockhart; "False Works," by Gregory Rukavina; "L'enfant-Bulle," by Jean Baudrillard; "America's Borders Are Everywhere," by Allan Sekula; "The Ditmarsh Tale of Lies," by the brothers Grimm; "To a Swan," a poem by David Shapiro; "Travelog: Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile," by Mike Kelley; "Feature: Multiplicity, Proliferation, Reconvention," edited by Jeremy Gilbert-Rolfe, and Johnston; "Dialog: The Procession of Undine," by T. ... [details]
A collection of essays on the artistic device by Jeremy Gilbert-Rolfe with text in English. [details]
Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Essays "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," " by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser; "Colson's Corner," by unattributed artists. [details]
Exhibition brochure published in conjunction with show in three venues: USF Art Galleries, Tampa, November 3 - December 13, 1980; Visual Arts Gallery, Florida International University, Miami, January 9 - 30, 1981; Miami-Dade Community College Art Gallery, Miami, January 9 - February 6, 1981. ... [details]
Issue edited by Joseph Masheck. Essays "Leon Polk Smith: The Completely Self-Referential Object," by Ted Castle; "Neo-Neo," by Joseph Masheck; "Space and Subectivity: Four Painters," by Anita Feldman; "Stealing Time: An Ontological Odyssey," by Peter Plagens; "Avant-Garde Issues in Seventies Music," by Thomas DeLio; "Clinton Hill," by Jeremy Gilbert-Rolfe; "Books: Where the English Draw the Line," by Stephen Bann. ... [details]