Issue edited by John Coplans. Essays "Documenta: A Portfolio:" "'Reality': Ideology at D5," by Lawrence Alloway; "Claes Oldenburg, An Interview," by Angela Westwater Reaves; "Cultural Confinement," by Robert Smithson; "Adversary Spaces," by Carter Ratcliff; "Cosmologies," by Lizzie Borden. ... [details]
Issue edited by John Coplans. Essays "An Interview with James Rosenquist," by Jeanne Siegel; "Derealized Epic," by Lawrence Alloway; "Kandinsky and Abstraction," by Rose-Carol Washton Long; "Ryman, Marden, Manzoni: Theory, Sensibility, Mediation," by Robert Pincus-Witten; "Russia's Underground Art Market," by Sybil Schwarz; "An Interview with Anthony Caro," by Phyllis Tuchman; "Caro's New Sculpture," by Walter D. ... [details]
January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. ... [details]
Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]
Issue edited by John Coplans. Essays "The Whitney Annual, Part I," by Carter Ratcliff; "The Films of Peter Kubelka," by Elena Pinto Simon; "Notes from Underground," by Kenneth Frampton; "Vito Acconci and the Conceptual Performance," by Robert Pincus-Witten; "Léger, Le Corbusier, and Purism," by Rosalind Krauss; "Epic Cubism and the Manufactured Object," by John Elderfield; "Video Obscura," by Douglas Davis; "A Note on Caro Influence: Five Sculptors from Bennington," by Joseph Masheck; "Michael Asher: The Thing of It Is. ... [details]
December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck; and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]