Large scale exhibition announcement card published in conjunction with show which opened February 10, 1963. Artists include Arman, Lee Bontecou, Jim Dine, Edward Kienholz, Yves Klein, Roy Lichtenstein, Claes Oldenburg, Parker, Robert Rauschenberg, Martial Raysse, Ad Reinhardt, Larry Rivers, James Rosenquist and Jean Tinguely. [details]
Accordion folded exhibition announcement card published in conjunction with show opening October 10, 1960. Artists included in the exhibition were Norman Bluhm, Paul Brach, Robert Goodnough, Philip Guston, Grace Hartigan, Paul Jenkins, Matsumi Kanemitsu, Franz Kline, Willem de Kooning, Raymond Parker, Jackson Pollock, Robert Richenburg, Larry Rivers, Stanley Twardowicz and Adja Yunkers. [details]
Survey of young artists of the school of New York edited and with an introduction by B.H. Friedman. Contents include: "Helen Frankenthaler," by B.H. Friedman; "Robert Goodnough," by Barbara Guest; "Grace Hartigan," by Emily Dennis; "Jasper Johns," by Ben Heller; "Alfred Leslie," by James Schuyler; "Joan Mitchell," by Irving Sandler; "Raymond Parker," by Bill Godden; "Robert Rauschenberg," by David Harrison Myers; "Larry Rivers," by Frank O'Hara; "Jon Schueler," by Alastair Reid; and "Richard Stankiewicz," by Fairfield Porter. ... [details]
Issue number four out of six issues, published from 1958 - 1965. Edited by P.G. Pavia. Artists statements by Peter Agostini, Mary Bonnell, Peter Busa, Emil Hess, Alfred Jensen, Elaine de Kooning, Albert Kotin, John Little, and Adja Yunkers. ... [details]
Issue number two out (of six issues published) of the periodical It is. published from 1958 - 1965. Collated by P.G. Pavlia, directed by Sebastian Gallo. Contents include: "Dialogue Found in Brooklyn Cellar," by John Asher; "Sound, Noise, Varese and Boulez," by Morton Feldman; "On Innocence in Abstract Painting," by John Ferren; "Glossary," by Aristodimos Kaldis; "4 Excerpts," by Piet Mondrian; "Artaud: Review/Essay," by E. ... [details]
First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E. ... [details]
Critical theory edited by Fernando Puma. Contributions by Fernando Puma, Max Brod, George Rouault, James T. Ferrell, Gottfried von Einem, Howard Carroll, Theodore Roszak, Merce Cunningham, Henry Miller, Sigfried Giedion, Theodore Roetke, Dorothy Parker, Lee Richard Hayman, Robert M. ... [details]
First issue of "View: The Modern Magazine," a special issue on Marcel Duchamp published in 1945. Edited by Charles Henri Ford. Articles include: "Flag of Ecstasy," by Charles Henri Ford; "The Point of View: Testimony," and "Lighthouse of the Bride," by Andre Breton; "Marcel Duchamp in the Arensberg Collection," by James Thrall Soby; "Magic Circles," by Gabrielle Buffet; "Rrose Selavy (1921-23)," by Robert Desnos; "Marcel Duchamp, Anti-Artist," by Harriet and Sidney Janis; "Cheat to Cheat," by Nicolas Calas; "Les Larves D'Imagie, D'Henri robert Marcel Duchamp," by Frederick J. ... [details]