Issue edited by Tim Griffin. Essays "Thomas Crow on the School of Pop," by Thomas Crow; "Clement Greenberg on Pop Art," by Clement Greenberg with an introduction by James Meyer; "Lawrence Alloway on Pop Since 1949," by Lawrence Alloway with an introduction by Nigel Whiteley; "Bruce Hainley on 'Transformer,'" by Bruce Hainley; "Jan Tumlir on Destroy All Monsters," by Jan Tumlir; "David Deitcher on Spiritual America," by David Deitcher; "Thomas Lawson on 'Infotainment,'" by Thomas Lawson; "Kate Bush on Young British Art," by Kate Bush; "Graham Bader on 'High & Low," by Graham Bader; "Michael Wilson on 'Just Pathetic,'" by Michael Wilson; "Robert Rosenblum on 'Post Human,'" by Robert Rosenblum; "Howard Singerman on 'Helter Skelter,'" by Howard Singerman; "Kitty Hauser on 'Superflat,'" by Kitty Hauser; "My Warhol," by Charles Ray, Richard Prince, Pierre Huyghe, Collier Schorr, Rachel Harrison, Wayne Koestenbaum, Maurizio Cattelan, Peter Halley, David Robbins, Cady Noland, Paul Sietsema, Thomas Hirschhorn, Kara Walker, and Takashi Murakami; "My Pop," by Jonathan Horowitz, Dave Muller, Chris Ofili, Inez van Lamsweerde, Banks Violette, Jason Rhoades, Andrea Bowers, Gary Hume, Isaac Julien, Karen Kilimnik, Kelley Walker, Raymond Pettibon, Urs Fischer, Assume Vivid Astro Focus, Gelatin, Rob Pruitt, Stefano Arienti, Paul Pfeiffer, Richard Hawkins, Tom Sachs, and Dara Birnbaum; "Sampling the Globe," by Daniel Birnbaum; "Pop Life: Los Super Elegantes," by David Rimanelli; "Performing the System," by Tom Holert; "Performing the Self: Martin Kippenberger," by Alison M. ... [details]
Edited by Tod Lippy. Essays "Artist's Project: Mark Keffer: Form and function merge in a series of altered maps (Throughout the issue)," by Mark Keffer; "Mumushka: A child's memories of her beloved grandmother, refracted through the prism of a rich imagination," written and illustrated by Andrea Dezso; "Known By Sight: Marvin Lazarus, Photographer: Compelling portraits-in words and images-of prominent artists by a nearly forgotten figure," photographs and journal excerpts by Marvin Lazarus; "Homemade: An Interview with the Wrens: The band's album The Meadowlands is a masterpiece; here, they discuss its making (and their near undoing)," by Tod Lippy; "Alex Shear's Object Lesson #3: (Poster)," by unattributed artists; "Tricks of the Trade: Recovered from a Santa Monica yard sale, this issue's found object is an entertainer's gag book from 1957," by Michael Rohatyn; "Artist's Project: Jenny Holzer: These recently declassified "Memoranda," selected by the artist, must see the light of day," by unattributed artists; "The Sissy Letters (#2): Second in a continuing series of monologues written for Esopus," by Stephen Adly Guirgis; "100 Frames: Bruce Conner's Breakaway: An ethereal sequence from the San Francisco artist's classic experimental film from 1966," by Doug Aitken; "Means Without End: We asked your publicists to devise PR strategies for Esopus; we've published the results," by Sloane Crosley, John Melick, Baldev Kaur, and Graham Leggat; "Angus Trumble's 1849 in Retrospect: One year. ... [details]
Catalogue published on the occasion of the 25th anniversary of the Museum of Contemporary Art, Los Angeles. Text by Maria Hummel and Karen Lofgren. "Builders" featured include Richard Brawerman, Eli Broad, Betye Monell Burton, Douglas S. ... [details]
Critical anthology of the art journal Interfunktionen. Edited by Gloria Moure. Texts by Friedrich Wolfram Heubach and Birgit Pelze. Artists include Vito Acconci, Keith Arnatt, John Baldessari, Lothar Baumgarten, Bill Beckley, Joseph Beuys, George Brecht, K. ... [details]
"With Do It in hand, you will be able to make a work of (someone else's) art yourself. Since 1993 Do It has provided its public with how-to pages of instructions written by 168 of the most important artists and writers working today. ... [details]
Exhibition catalogue published in conjunction with show held March 14.04 - August 2, 2004. Essays by Diedrich Diederichsen, Jonathan Flatley, Timothy Martin, James Meyer and Anne Rorimer. Exhibition curator Ann Goldstein contributes an introduction. ... [details]
![Seis Años : La Desmaterialización del Objeto Artístico de 1966 a 1972 [ Six Years : The Dematerialization of the Art Object from 1966 to 1972 ]](/objects/images/s5967.jpg "Seis Años : La Desmaterialización del Objeto Artístico de 1966 a 1972 [ Six Years : The Dematerialization of the Art Object from 1966 to 1972 ]")
Spanish language edition of an essential source book, "Six Years : The Dematerialization of the Art Object from 1966 to 1972," compiling the documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. ... [details]
Monograph on the work held in the Refco Collection of Contemporary Photography. Organized by Adam Brooks. Introduction by Judith Russi Kirshner. Essay by Dave Hickey. Contributions by Lynne Cooke, Vicki Goldberg, Kathryn Hixson, A. ... [details]
Photographs of artists at work. Essay by Constance W. Glenn, text by the artist. [details]
Exhibition catalogue published in conjunction with show held at P.S. 1 Contemporary Art Center / [a MoMA / The Museum of Modern Art affiliate], November 10, 2002 - April 2003. Texts by Klaus Biesenbach, Barbara London, Christopher Eamon. ... [details]
