Issue edited by Ida Panicelli. Essays "Exits and Entrances: John Howell on Voguing," by John Howell; "Folio: Andrew Solomon on Bookbinding," by Andrew Solomon; "Believe It of Not: J. Hoberman on American Myths," by J. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "The Cave: Maria Nadotti on Film," by Maria Nadotti; "Object: Alessandro Mendini on Design," by Alessandro Mendini; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Museum Piece: Karen Marta on Malcolm McLaren," by Karen Marta; "Something to Do with Jennifer Bolande," by Paula Marincola; "You Are a Camera," by Roselee Goldberg; "Sorry: A Project for Artforum," by Guillaume Bijl; "Ritual Ecstasies: Lars Nilsson," by Lars Nittve; "Not Vital's Relics of the Present," by Donald Kuspit; "Foul Perfection: Thoughts on Caricature," by Mike Kelley; "We Androids," by Doreet Levitte Harten; "Tear Sheet: A Project for Artforum," by Tear Sheet. ... [details]
Issue edited by Ida Panicelli. Essays "Curies' Children: Vilem Flusser on Science," by Vilem Flusser; "Exits and Entrances: A Project for Artforum," by Marianne Goldberg; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Believe It or Not: J. ... [details]
Issue edited by Ida Panicelli. Essays "Curie's Children: Vilem Flusser on Science," by Vilem Flusser; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Believe it or Not: J. Hoberman on American Myths," by J. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave," Vera Dika on Film; "Exits and Entrance," Melissa Harris on Dancing in the Streets; "Special Effects," Carol Squiers on the News and Its Pictures; "Here There & Otherwise," John Welchman on Elsewhere; "Books," Max Wechsler on Sigmar Polke - Zeichnungen 1963 - 1969; "In Living Chaos: Joan Mitchell," by Bill Berkson; "Koudelka's Theater of Exile," by Max Kozloff; "Signs of the Cross," by Claudia Hart; "Fautrier: Through Paint, Alone," by Siegfried Gohr; "What Becomes of the Brokenhearted," by Maria Nadotti; "Venezia 23: Unter den Linden," by Alessandra Mammi; "The Four-Corners Game," by Daniel Soutif; "Said the Spider to the Fly," by Luciana Rogozinsky; "Dear Harry. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location. Robert Ryman's Studio: A Wall of Reminders," by Amy Baker Sandback; "Ground Up. Science Fiction, Westerns, Odysseys, Romance, Head-Lines, Obits: Narrative Architects Design the City as it Lives, Stories on Top of Stories, A Plot on Every Plot," by Herbert Muschamp; "Remote Control: Television, the Permanent Guest - We'll Be Right Back," by Barbara Kruger; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "A Chameleon in a State of Grace: Francesco Clemente," by Edit deAk; "American Abstract Sensationalism," by J. Hoberman; "STRIKE," a project by Jonathan Borofsky; "The Works and Writings of Daniel Buren: An Introduction to the Philosophy of Contemporary Art," by Jean-François Lyotard; "Smithson's Site/Non-Site: New York City Walk," by Amy Baker; "Scandal's Witnesses: Grafting Smithson on Bataille," by Nicolas Calas; "Books," by Parker Hodges, Joseph Masheck, Artforum; "Reviews by J. ... [details]