Issue edited by John Coplans. Essays "The Great Curatorial Dim-Out," by Lawrence Alloway; "Accumulation: Power and Display in African Sculpture," by Arnold Rubin; "A Tough Nut to Crack," by Nicolas Calas; "The Lord Nelson of Painting," by Max Kozloff; "The Groupie and The Commissar: Revolutionary Posters and Capitalist Billboards," by Peter Plagens; "A Conversation on Knokke and the Independent Filmmaker," by Annette Michelson and P. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
Issue edited by John Coplans. Essays "Louise Bourgeois: From the Inside Out," by Lucy R. Lippard; "Billy Al Bengston's New Paintings," by Peter Plagens; "Lawrence Weiner: Given the Context," by Susan Heinemann; "Myron Stout," by Sanford Schwartz; "Notes on William Wegman," by Maud Lavin; "Manet: A Radicalized Female Imagery," by Eunice Lipton; "Alvin Smith," by Henri Ghent; "Indecent Exposure," by Peter Plagens; "Book Review," by Donald B. ... [details]
Issue edited by John Coplans. Essays "Pasadena's Collapse and the Simon Takeover, Diary of a Disaster," by John Coplans; "Museums and Unionization," by Lawrence Alloway; "Embalmed Objects: Design at the Modern," by Joseph Masheck; "Big Deals and Bitter Endings, The Hirshhorn Museum and Sculpture Garden," by Suzanne Stephens. ... [details]
Issue edited by John Coplans. Essays "Photography: The Coming to Age of Color," by Max Kozloff; "On the Invention of Photographic Meaning," by Alan Sekula; "DeKooning: Criticism and Art History," by Lawrence Alloway; "Richard Pousette-Dart: Toward an Invisible Center," by Lucy R. ... [details]
Exhibition catalogue published in conjunction with shows held at the Nationalgalerie, Berlin, April 30 - June 15, 1975 and the Neue Galerie - Sammlung Ludwig, Aachen, July 12 - September 14, 1975. Texts by Wieland Schmied. ... [details]
Issue edited by John Coplans. Essays "Ilya Bolotowsky at the Guggenheim," by Roberta Smith; "Beyond Reductivism: The Work of Alan Sondheim," by Robert Joseph Horvitz; "Rauschenberg and the Materialized IImage," by Rosalind Krauss; "Traversing the Field. ... [details]
Issue edited by John Coplans. Essays "Brice Marden's Painting," by Jeremy Gilbert-Rolfe; "Incisions in History/Segments of Eternity," by Hollis Frampton; "Talking With William Rubin: 'The Museum Concept Is Not Infinitely Expandable;'" "Mondrian the New Yorker," by Joseph Masheck; "Leon Golub: Art and Politics," by Lawrence Alloway; "Jean Dupuy," by Alan Moore; "Reviews," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "Donald Burgy: Participating in the Universe," by Robert J. Horvitz; "Three Swiss Painters," by Robert Pincus-Witten; "On Giacommetti," by Andrew Forge; "Robert Morris: the Complication of Exhaustion," by Jeremy Gilbert-Rolfe; "Jean Vigo's 'Taris'," by Bill Simon; "The Provincialism Problem," by Terry Smith; "Judy Chicago, Talking to Lucy R. ... [details]
Issue edited by John Coplans. Essays "Peter and the Pressure Cooker, " by Peter Plagens; "On the Nature of Pop," by Carl R. Baldwin; "Abstract Expressionism, Weapon of the Cold War," by Eva Cockcroft," New Japanese Photography," by Max Kozloff; "Video Art: Old Wine, New Bottle," by Allan Kaprow; "Painting Becomes Cyclorama," by Rosalind Krauss; "Malevich's Quest for Unconditioned Creativity, Part I," by Donald Kuspit; "Mel Bochner on Malevich, an Interview," by John Coplans. ... [details]
