Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]
Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
Issue edited by Ingrid Sischy. Essays "'Du Hast Keine Chance. Nutze sie!' With It and Against It: Tendencies in Recent German Art," by Wolfgang Max Faust; "Architecture and Limits III. Introduction," by Bernard Tschumi; "Architecture and Limits III. ... [details]
Critical review of art of the 1980s by Barbara Rose illustrated with portraits of the artists alongside an image of one of their works, and statements by the artists. Portrait photographs by Steven Sloman. ... [details]
Exhibition catalogue published in conjunction with show held in 1978. Essay by Valerie Lloyd. Artists include Robert Adams, John Baldessari, Lewis Baltz, Thomas F. Barrow, Bernd & Hilla Becher, Victor Burgin, Mark Cohen, Linda S. ... [details]
Exhibition catalogue published in conjunction with show held June 24 - October 2, 1977. Essays by Lothar Romain, Bazon Brock, Karl Oskar Blase, Klaus Honnef, Evelyn Weiss, Manfred Schneckenburger, Arnold Bode, Wieland Schmied, and Lothar Lang. ... [details]
Fillmore East Program for two evenings of performances by Procol Harum, Pacific Gas & Electric, and The Collectors with light by Pablo held March 14 - 15, 1969. Published by Bill Graham and edited by Kip Cohen. ... [details]
Issue edited by Jeffrey Shero. Contents include "Echoes in the Asylum," by Jeff Shero; "South of the Border: Banditos O Guerrilleros?," by unattributed artists; " 'We Want Jobs... or Else!,' " by unattributed artists; "The Pharmaceutical Industry: Drug Abuse Dealing is Profitable," by unattributed artists; "Selective Service: Double Jeopardy, The Second Time Around," by Thomas DeBaggio; "And in Texas They Sill. ... [details]
A two volume catalogue for Documenta III, held June 27 - October 5, 1964. Volume 1 focuses on sculpture and painting. Essay's by Werner Haftmann and Arnold Bode. Artists include Jean Arp, Willi Baumeister, Jean Bazaine, Max Beckmann, Joseph Beuys, Julius Bissier, Pierre Bonnard, Georges Braque, Marc Chagall, Emil Cimiotti, Constant, Lovis Corinth, André Derain, Jean Dubuffet, Max Ernst, Joseph Fassbinder, Alberto Giacometti, Julio Gonzalez, Hans Hartung, Wolfgang Hollegha, Asger Jorn, Wassily Kandinsky, Ernst Ludwig Kirchner, R. ... [details]