Exhibition catalogue published in conjunction with show held January 24 - March 28, 1993. Traveled to Villa Stuck, Munich, April 29 - July 18; Henry Moore Institute, Leeds, August 12 - October 17; Fruitmarket Gallery, Edinburgh, November 13, 1993 - January 9, 1994; and Neues Museum Weserbrug, Bremen, February - April 1994. ... [details]
Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow; and "The Richter-Scale of Blur," by Gertrud Koch. [details]
Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz; and "The Americans," by E. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postscript on the Societies of Control," by Gilles Deleuze; "Marcel Duchamp's 'Monte Carlo Bond Machine,'" by David Joselit; "Oedipus Exploded: Pasolini and the Myth of Modernization," by Cesare Casarino; "The Art of Hitler," by Steven Kasher; "The Curse of the Pharaoh, or How Cinema Contracted Egyptomania," by Antonia Lant. ... [details]
Exhibition catalogue published in conjunction with show held at the Whitney Museum of American Art, New York, November 6, 1992 - January 21, 1993. Traveled to the Milwaukee Art Museum, Milwaukee, February 12 - April 4, 1993 ; the Center for the Fine Arts, Miami, May 22 - August 1, 1993 ; the Contemporary Arts Museum, Houston, September 10 - October 31, 1993 ; and the Museo Nacional Centro de Arte Reina Sofía, Madrid, November 16, 1993 - February 21, 1994. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Sartre's Screen Projection Freud," by Gertrud Koch; "Convulsive Identity," by Hal Foster; "There's Always Tomorrowland: Disney and the Hypercinematic Experience," by Scott Bukatman; "'Makulakul'tura': Reprocessing Culture," by Nancy Condee and Vladimir Padunov; "Museum Highlights: A Gallery Talk," by Andrea Fraser; "Tourism and the Semiotics of Nostalgia," by John Frow; "Replies to Benjamin Buchloh on Conceptual Art," by Seth Siegelaub; "Reply to Joseph Kosuth and Seth Siegelaub," by Benjamin Buchloh. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H. ... [details]
Winter 1990 issue of October. Edited by Joan Copjec, Rosalind Krauss, and Annette Michelson. Contents include: "On Equivocation (Between Literature and Politics)," by Denis Hollier; "For the Record: Adorno on Music," by Thomas Y. ... [details]
Edited by Joan Copjec, Rosalind Krauss, and Annette Michelson. Essays "The Cultural Logic of the Late Capitalist Museum," by Rosalind Krauss; "Rossellini: Woman as Symptom of Man," by Slavoj Žižek; "Fetish Envy," by Marjorie Garber; "Ragnarök of Illusion: Richard Wagner's "Mystical Abyss" at Bayreuth," by Beat Wyss; "Free, Single, and Disengaged: Listening Pleasure and the Popular Music Object," by John Corbett; "Images of Decay: Photography in the Picturesque Tradition," by Wolfgang Kemp; "AIDS Timeline," by Group Material. [details]
Edited by Joan Copjec, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "The Temptation of New Perspectives," by Stephen Melville; "The Kinetic Icon in the Work of Mourning: Prolegomena to the Analysis of a Textual System," by Annette Michelson; "Bachelors," by Rosalind Krauss; "Marcel Duchamp, or The Phynancier of Modern Life," by Thierry de Duve; "Documentary Is / Not a Name," by Trinh T. ... [details]