Issue edited by John Coplans. Essays "In Memoriam: Joseph Cornell," by Hans Namuth; "Kozloff: Criticism in Absentia," by Preston Heller and Andrew Menard; "Sam Francis: From Field to Arabesque," by Lawrence Alloway; "Some Splashes in the Ebb Tide," by Robert Morris; "Lucinda Childs: A Portfolio," by Lucinda Childs; "Miró," by Kermit Champa; "Frederick Law Olmsted and the Dialectical Landscape," by Robert Smithson; "After the Quality Problem," by Bruce Boice; "Book Review," by Max Kozloff. ... [details]
Issue edited by Walter Robinson, Joshua Cohn, and Edit deAk. Essays "Big Boys Downtown," by Edward Pursor; "Downhome Organic Technology," by Alan Suicide; "Making Things," by Bill Bollinger; "L.A. in N. ... [details]
Issue edited by John Coplans. Essays "An Interview with James Rosenquist," by Jeanne Siegel; "Derealized Epic," by Lawrence Alloway; "Kandinsky and Abstraction," by Rose-Carol Washton Long; "Ryman, Marden, Manzoni: Theory, Sensibility, Mediation," by Robert Pincus-Witten; "Russia's Underground Art Market," by Sybil Schwarz; "An Interview with Anthony Caro," by Phyllis Tuchman; "Caro's New Sculpture," by Walter D. ... [details]
January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. ... [details]
Issue edited by John Coplans. Essays "The Whitney Annual, Part I," by Carter Ratcliff; "The Films of Peter Kubelka," by Elena Pinto Simon; "Notes from Underground," by Kenneth Frampton; "Vito Acconci and the Conceptual Performance," by Robert Pincus-Witten; "Léger, Le Corbusier, and Purism," by Rosalind Krauss; "Epic Cubism and the Manufactured Object," by John Elderfield; "Video Obscura," by Douglas Davis; "A Note on Caro Influence: Five Sculptors from Bennington," by Joseph Masheck; "Michael Asher: The Thing of It Is. ... [details]
December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck; and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Issue edited by Philip Leider. Essays "Bochner at MOMA: Three Ideas and Seven Procedures," by Robert Pincus-Witten; "Color, Culture, The Stations: Notes on the Barnett Newman Memorial Exhibition," by Lawrence Alloway; "Stella's New Work and the Problem of Series," by Rosalind Krauss; "Thomas Bang," by Kenneth Baker; "Mondrian, Newman, Noland: Two Notes on Changes of Style," by John Elderfield; "Mondrian in New York," by Barbara Rose; "Four Short Essays on Vuillard," by Max Kozloff; "Meaning in the Art of Duchamp (Part I)," by Willis Domingo. ... [details]
Issue edited by Philip Leider. Essays "Toward Snow," by Annette Michelson; "Problems of Polychromy: Michael Bolus," by Michael Fried; "An Interview with Don Judd," by John Coplans; "Drawing in Cézanne," by John Elderfield; "Touch and Scale: Cubism, Pollock, Newman, Still," by Walter D. ... [details]
Issue edited by Philip Leider. Essays "On the Liberation of Architecture," by Melvin Charney; "The Panama Canal and Some other Works of Work," by Joseph Masheck; "Recent Paintings by Joan Snyder," by Marcia Tucker; "An Interview with Robert Ryman," by Phyllis Tuchman; "Christopher Wilmarth: A Note on Pictorial Sculpture," by Robert Pincus-Witten; "On Constructivism," by John Elderfield; "Five Photographs," by Diane Arbus; "The Art of Maurice Sendak," by Selma G. ... [details]
