Critical anthology of writing on modernism edited by Brian Wallis and foreword by Marcia Tucker. Includes essays by Kathy Acker, Roland Barthes, Jean Baudrillard, Walter Benjamin, Jorge Luis Borges, Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Exhibition catalogue published in conjunction with show held at Whitney Museum of American Art, Downtown Branch, July 18 - August 26, 1983. Essays by John Carlin and Sheena Wagstaff. Additional texts by Richard Marschall, Jerry Robinson, Gary Groth, Kim Thompson, J. ... [details]
Issue edited by Ingrid Sischy. Essays "Painterly Edge: A Conversation with Ralph Humphrey," by Amy Baker; "Patience, Observation, and Investigation: Learning from Audubon," by Mike Glier; "Abstract Beauty - Friend or Enemy?" by Wu Guan-zhong; "Marks: Cy Twomby," by John Bernard Myers; "Komar and Melamid from Behind the Ironical Curtain," by Jamey Gambrell; "Presenting the Unpresentable: The Sublime," by Jean-François Lyotard; "Fear of Clay," by John Perreault; "Books: Sarah Charlesworth on 'Camerca Lucida,'" by Sarah Charlesworth. ... [details]
Issue edited by Ingrid Sischy. Essays "Solidarnos," by Lawrence Weschler; "Bop Art," by Glenn O'Brien; "Forged Image: Centerfold," by Andy Warhol; "Forged Image: Portrait of Andy Warhol," by Christopher Makos; "Issey Miyake: Sewing a Second Skin"; "Juke Joint Jazz," by Marie Cosindas; "Paradise and Lunch: Advertising's Architecture of Heaven," by Bazon Brock; "Altered States: Newspaper Photographs," by Harold Evans; "Vulgar Modernism," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R. ... [details]
"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "A Chameleon in a State of Grace: Francesco Clemente," by Edit deAk; "American Abstract Sensationalism," by J. Hoberman; "STRIKE," a project by Jonathan Borofsky; "The Works and Writings of Daniel Buren: An Introduction to the Philosophy of Contemporary Art," by Jean-François Lyotard; "Smithson's Site/Non-Site: New York City Walk," by Amy Baker; "Scandal's Witnesses: Grafting Smithson on Bataille," by Nicolas Calas; "Books," by Parker Hodges, Joseph Masheck, Artforum; "Reviews by J. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
