Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. Essays "William Klein and the Radioactive Fifties," by Max Kozloff; "Tattoo: the State of the Art," by Marcia Tucker; "Pressing On: Thomas Nozkowski's Paintings," by Joseph Masheck; "Leon Golub's Murals of Mercenaries: Aggression, 'Ressentiment,' and the Artist's Will to Power," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "Ulrich Rückriem: The Monumental Ritual," by Ted Castle; "The 1979 Dime Store Figurine," by Mike Glier; "The Barren Flowers of Evil," by Komar and Melamid; "Towards a Theory/Practice of Painting," by Paul Rodgers; "Urban Nature: The Work of Maria Nordman," by Germano Celant; "Ian Wilson, For Example: Texts on Words," by René Denizot. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "In Search of Religion," by Komar and Melamid; "Three Oblique Situations," by Nicolas Calas; "Peggy Guggenheim," by Marie Cosindas; "Marcel Broodthaers: Allegories of the Avant-Garde," by Benjamin Buchloh; "Ree Morton," by Mary Delahoyd; "Editorial Comment," by Ingrid Sischy; "Essential Differences: A Comparison of the Portraits of Lisette Model and Diane Arbus," by Shelley Rice; "Books: 'Lisette Model: An Aperture Monograph'," by Ronny H. ... [details]
Issue edited by Ingrid Sischy. Essays "An Imprint Is Never Alone," by René Denizot; "Architecture and Limits: Introduction," by Bernard Tschumi, "The Writing of the Walls," a project by Anthony Vidler, and "Masque," a project by John Hejduk; "The 18th New York Film Festival," by J. ... [details]
Issue edited by Joseph Masheck. Essays "Mel Bochner: Getting from A to B," by Jeff Perrone; "Bodyworks and Porpoises," by Nicolas Calas; "Komar and Melamid and the Luxury of Style," by Marc Fields; "The Russianness of "Petrouchka," by Ann Farkas; "Inside Europe Outside Europe," by Jan van der Marck; "Taking the Long View," by Colin L. ... [details]
Issue edited by Joseph Masheck. Essays "Richard Nonas: Boundary Works," by Jonathan Crary; "Aspects of British Sculpture," by John McEwen; "From Cézanne to Picasso to Suprematism: The Russian Criticism," by Margaret Betz; "Alfred Jensen: Systems Mystagogue," by Donald B. ... [details]
Issue edited by John Coplans. Essays "Approaching the Decorative," by Jeff Perrone; "Alexis Smith: The Narrative Act," by Nancy Marmer; "Night Light: Brassai and Weegee," by Colin L. Westerbeck, Jr.; "The Size of Non-Size," by Douglas Davis; "Cézanne's 'Bather' and a Found Self-Portrait," by Diane Lesko; "Frank Stella's New Work: A Personal Note," by Budd Hopkins; "Book Review: The Cultural Contradictions of Capitalism," by Tim Yohn. ... [details]
Issue edited by John Coplans. Essays "Nadar and the Republic of Mind," by Max Kozloff; "How Others Live: Some Recent Photography Books," by Colin L. Westerbeck, Jr.: "The Anti-Photographers," by Nancy Foote; "The Directorial Mode: Notes Toward a Definition," By A. ... [details]