Issue edited by Bice Curiger. Essays "Sophie Calle: C'est Mon Plaisir," by Sheena Wagstaff; "Alighiero E Boetti," by Jean-Christopher Ammann; "Alighiero E Boetti," by Giovan Battista Salerno; "Alighiero e Boetti: The Difference between Invention and Exploration or from Geography to Experience with Two Maps," by Rainer Crone and David Moos; "The Halted Gesture Of Writing," by Friedemann Malsch; "Logic And Disruption In The Work Of Alighiero E Boetti," by Jean-Pierre Bordaz; "Franz West," by Herbert Lachmayer and Brigitte Felderer; "Mike Kelley: B-B-Bildung / C-Culture And B-Culture," by Jutta Koether; "War - Sign - War," "Inquiries On Afghan Rugs," by Friedrich Kittler; "Les Infos Du Paradis: Interview," by Trevor Fairbrother, Meyer Vaisman, Andy Warhol; "Cumulus From America," by David Rimanelli; "Cumulus Aus Europa," by Kimmo Sarje; "Balkon," by Bernard Marcadé. ... [details]
"As a student at Yale, Fred Sandback struggled with sculpture until George Sugarmann told him 'if you are so sick of the parts, why not just make a line with a ball of string and be done with it.' For the rest of his career, Sandback used taut and resonant strings to sculpt space and light. ... [details]
Issue edited by Bice Curiger. Essays "The Case Of Robert Gober," by Lisa Liebmann; "An Olympic High-Flyer," by John Russel; "Alex Katz's 'Kool' Portraits," by Brooks Adams; "The Simple Truth Of Everyday Painting," by David Rimanelli; "A Discussion," by Alex Katz / Francesco Clemente; "Four Seasons On Japanese Paper," by Michael Krüger; "Go Fetch The New Yorker," by Richard Flood; "Ada, Katz' Picture Woman," by Patrick Frey; "Night II 1987," by Carl Stigliano; "A Brushstroke Is The Most Artificial Thing In The World," by Bice Cruiger; "Cow, Cow, Cow," by Glenn O'Brien; "Homage To Giulio Roman," by Jacqueline Burckhardt; "Les Infos Du Paradis: Survival Research, Laboratories," by Mike Kelley; "Cumulus From America," by David Deitcher; "Cumulus Aus Europa," by Friedmann Malsch; "Balkon," by Rene Ricard. ... [details]
Issue edited by Bice Curiger. Essays "Gilles Peress And The Politics Of Space," by Max Kozloff; "'Nothing's Final - The Sculptural Principle - Flight Into Mania' Thoughts On The Roles Of Form And Material In George Herold's Work," by Friedemann Malsch; "Places For Here And Now In Impenetrable Places, Mario Merz's Travel Pictures 1987," by Marlis Grüterich; "Mario Merz's Future Of An Illusion," by Jeanne Silverthorne; "Did I Say It Or Didn't I?," by Mario Merz; "The 'Jen' Of Kung Fu-Tse And The Merzian City," by Demosthenes Davvetas; "Presence - Riddle - Entities," by Harald Szeemann; "The Work's Present," by Denys Zacharopoulos; "Francesca Woodman," by Brunella Antomarini; "René Daniels: The Space Of Transitive Images," by Alain Cueff; "Les Infos Du Paradis: Decently Facing The 21st Century The Publisher Johannes Gachnang," by Rudolf Schmitz; "Cumulus From America," by Dan Cameron; "Cumulus Aus Europa," by Renate Puvogel; "Balkon: Butchery And Slaughter," by Danielle Bazzi. ... [details]
