Exhibition catalogue published in conjunction with show held at Palais Liechtenstein, Vienna, June 14 - September 17, 1995. Texts by Egidio Marzona, Hans-Michael Herzog and Rainer Fuchs. Artists include Vito Acconci, Carl André, Giovanni Anselmo, Robert Berry, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Ronald Bladen, Alighero Boetti, Bill Bollinger, Stanley Brouwn, Daneil Buren, Pierpaolo Calzolari, Alan Charlton, Hanna Daboven, Walter de Maria, Jan Dibbits, Luciano Fabro, Barry Flanagan, Dan Flavin, Hamish Fulton, Dan Graham, Robert Grosvenor, Hans Haacke, Michael Heizer, Douglas Heubler, Bob Huot, Donald Judd, Stephen Kaltenbach, On Kawara, Ellsworth Kelly, Joseph Kosuth, Jannis Kounellis, Gary Kuehn, Sol LeWitt, Barry le Va, Bernd Lohaus, Richard Long, Bruce McLean, Robert Mangold, Gordon Matta-Clark, Mario Merz, Robert Morris, Bruce Nauman, Dennis Oppenheim, Guilio Paolini, Blinky Palermo, Giuseppe Penone, Charlotte Posenenske, David Rabinowitch, Edda Renouf, Ulrich Rückriem, Edward Ruscha, Reiner Ruthenbeck, Fred Sandback, Richard Serra, Tony Smith, Robert Smithson, Keith Sonnier, Boyd Webb, William Wegman and Lawrence Weiner. ... [details]
Exhibition catalogue published in conjunction with show held at the Winnipeg Art Gallery, May 2 - June 14, 1981. Traveled to National Gallery of Canada, Ottawa, October 1 - November 1, 1981 ; Norman MacKenzie Art Gallery, Saskatchewan, November 10 - December 13, 1981 ; Musée d'Art Contemporain, Montreal, January 8 - February 28, 1982 ; Dalhousie Art Gallery, Halifax, March 11 - April 18, 1982 ; Emily Carr College of Art, Vancouver, October 4 - October 30, 1982. ... [details]
Catalogue published in conjunction with an exhibition at the Kunstmuseum Luzern, March 29 - May 3, 1981. Two volumes, both featuring parallel German / Italian / English texts. Text in Werke und Schriften by Max Wechsler, text in Hortus Clausus by Martin Kunz. ... [details]
Four separate 4-page pamphlets enclosed in folder. "Ennesima has three elements : writing, image and time. The writing here is eschewing all communication, retains nothing but its appearance and describes nothing but itself. ... [details]