Issue edited by Philip Leider. Essays "Harnett, Peto and Haberle in La Jolla," by Alfred Frankenstein; "Twelve Chicago Artists at the Walker," by Whitney Halstead; "An Interview with Helen Frankenthaler," by Henry Geldzahler; "Tribute to Simon Rodia," by Alfred H. ... [details]
Issue edited by Joseph Masheck. Essays "American Women Architects," by John Lobell; "'Words': When Art Takes a Rest," by Jeff Perrone; "The Icon and Russian Modernism," by Margaret Betz; "Donald Judd: Past Theory," by Kenneth Baker; "Terry Fox Meanders," by Knute Stiles; "Outerbridge from Cubism to Fetishism," by Graham Howe; "Cruciformality," by Joseph Masheck. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "An Ad Reinhardt Monologue," by Mary Fuller; "A Conversation with Nancy Graves," by Emily Wasserman; "The Sculpture of Peter Alexander," by Peter Plagens; "Don Potts' Game of Car," by Knute Stiles; "The Cuban Poster," by Susan Sontag; "A Master Plan for the Met," by Bernhard Leitner; "A Master Plan for the Met," by Bernhard Leitner; "The Matisse Centenary," by Kenworth Moffett; "The Iconography of Edvard Munch's The Sphinx," by Reinhold A. ... [details]
Issue edited by Philip Leider. Essays "Disaster in Pasadena," by Abraham Rogatnick; "...on an American artist's education," by Dan Flavin; "Recent British Paintings at the Tate," by Kermit Champa; "Lee Krasner," by Emily Wasserman; "Some New Los Angeles Artists," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Gothic Parallels," by Sidney Tillim; "Olitski and Shape," by Michael Fried; "Manet at Philadelphia," by Clement Greenberg; "David Novros," by John Coplans; "Walter de Maria," by Dennis Adrian; "10 x 10," by Annette Michelson; "Yves Klein," by Ronald Hunt; "Edward Higgins," by Dennis Adrian; "The Age of Rembrandt," by Palmer D. ... [details]
Issue edited by Philip Leider. Essays "Filthy Pictures," by Barbara Rose; "Sidney Gordin's New Work," by Knute Stiles; "Schwitters Retrospective at U.C.L.A.," by Fidel A. Danieli; "Some New British Sculptors," by Andrew Forge; "Three New Sculptures," by Mark Di Suvero. ... [details]
Issue edited by Philip Leider. Essays "Two Contributions to the Art and Science Muddle: 1. Constructivism and its Confusions," by Terry Fenton; "2. A Report on a Symposium," by Grace Marmor Spruch; "Late Fifties at the Ferus," by Billy Al Bengston; "Charles Sheeler, American Pastoral," by Hilton Kramer; "Edward Avedisian's New Paintings," by Alexandra C. ... [details]