objects: 8
1
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Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 26.5 x 26.7 cm.
  • 116 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 36, No. 3 (November 1997)

Jack Bankowsky, Wayne koestenbaum, Joseph Kosuth, Timothy Druckrey, Thurston Moore, Christoph Cox, David Poole, Greil Marcus, Pascaline Cuvelier, Olivier Zahm, Miriam Rosen, Robert Storr, Pascaline Cuvelier, Etienne Balibar, John Rajchman, David Frankel, Richard Shone, Giorgio Verzotti, Manthia Diawaram, Max Kozloff, Jean-Pierre Criqui, Donald Kuspit, David Frankel, Julie Caniglia, Frances Richard, Barry Schwabsky, Ingrid Schaffner, Tom Moody, Marek Bartelik, Kristin M. Jones, James Yood, Bruce Hainley, Maria Porges, Lisa Gabrielle Mark, Juan Vicente Aliaga, Giorgio Verzotti, Miriam Rosen, Hans Rudolf Reust, Christian Kravagna, Barry Schwabsky, Yilmaz Dziewior, Frank-Alexander Hettig, Michael Archer, Mark Holborn, Charles Green, Richard Tuttle

Issue edited by Jack Bankowsky. Essays "Slant: Wayne Koestenbaum on paparazzi," by Wayne koestenbaum; "Passages: Joseph Kosuth on Douglas Huebler," by Joseph Kosuth; "Hot List: Timothy Druckrey on curating the Web," by Timothy Druckrey; "Thurston Moore on Sun Ra," by Thurston Moore; "Christoph Cox on Panasonic," by Christoph Cox; "David Poole on the Tindersticks," by David Poole; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Pascaline Cuvelier on the swing left," by Pascaline Cuvelier; "Olivier Zahm on Marc Atlan for Comme de Garçons," by Olivier Zahm; "Miriam Rosen on Catherine Trautmann," by Miriam Rosen; "Richard Tuttle: Just Exquistite?" by Robert Storr; "Fabrice Hybert: Studio Time," by Pascaline Cuvelier; "Critical Reflections," by Etienne Balibar with an Introduction by John Rajchman; "Openings: Steve McQueen," by David Frankel. ... [details]

New York, NY : Artforum, 1997
Permalink
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 26.5 x 26.7 cm.
  • 162 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 27, No. 3 (November 1988)

Ida Panicelli, Andrew Solomon, John Welchman, Glenn O'Brien, Carol Squiers, Jeremy Gilbert-Rolfe, Colin Gardner, Judith Russi Kirshner, Francesco Pellizzi, Mark Holborn, Frederick Ted Castle, Leonel Moura, Douglas Huebler, Donald Kuspit, Charles Hagen, John Yau, Matthew A Weinstein, Christian Leigh, Jude Schwendenwien, Catherine Liu, Patricia C. Phillips, Dennis Cooper, John Miller, Ronny Cohen, C. Carr, Carlo McCormick, John Howell, Francine A. Koslow, Paula Marincola, Howard Risatti, Glenn Harper, Jayne Merkel, James Yood, Laurie Palmer, Charles Dee Mitchell, Jae Carlsson, Bill Berkson, Amy Gerstler, Benjamin Weissman, Richard Rhodes, Pier Luigi Tazzi, Anthony Iannacci, Max Wechsler, Helmut Draxler, Daniel Soutif, Noemi Smolik, Uli Bohnen, Wolfgang Max Faust, Michael Tarantino, Paul Groot

Issue edited by Ida Panicelli. Essays "What in the World," Andrew Solomon on the Art of Perestroika; "Here There & Otherwise," John Welchman on Elsewhere; "Like Art," Glenn O'Brien on Advertising; "Special Effects," Carol Squiers on the News and its Pictures; "Books," Jeremy Gilbert-Rolfe on "Peter Halley: Collected Essays 1981 - 87"; "The World According to Douglas Huebler," by Colin Gardner; "The Benefit of Doubt or Loving Modernism to Death," by Judith Russi Kirshner; "Charon's Boat," by Francesco Pellizzi; "Image of a Second Skin," by Mark Holborn; "Miguel Angel Rios: Epics from the Earth," by Frederick Ted Castle; "A Gentle Guide," by Ida Panicelli, an Introduction to "Territory"; "Territory: A Project for Artforum," by Leonel Moura; "Face(t)s: Notes on Faciality," by John Welchman. ... [details]

New York, NY : Artforum, 1988
Permalink
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 26.5 x 26.7 cm.
  • 157 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 26, No. 10 (Summer 1988)

Ida Panicelli, Glenn O'Brien, Maria Nadotti, John Welchman, Alessandro Mendini, Barbara Kruger, Vilém Flusser, Carol Squiers, Mark Holborn, Pier Luigi Tazzi, Jimmie Durham, Jean Fisher, Patricia C. Phillips, Meg Webster, Christian Leigh, Niek Kemps, Herbert Muschamp, Ashley Bickerton, Thomas McEvilley, Donald Kuspit, Kate Linker, John Yau, Charles Hagen, Kirby A. Gookin, Matthew A. Weinstein, Claudia Hart, Ray Kass, Jude Schwendenwien, Dennis Cooper, Carlo McCormick, Ronny Cohen, John Howell, Francine A. Koslow, Paula Marincola, Glenn Harper, Jayne Merkel, Buzz Spector, Ed Hill, Suzanne Bloom, Linda Frye Burnham, Bill Berkson, Susan Freudenheim, Colin Gardner, Richard Rhodes, Aurora García, Gloria Moure, Alessandra Mammì, Jole de Sanna, Anthony Iannacci, Daniel Soutif, Max Wechsler, Jutta Koether, Wolfgang Max Faust, Martin Hentschel, Michael Archer

Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave: Maria Nadotti on Film"; "Here, There & Otherwise," John Welchman on Elsewhere; "Object," Alessandro Mendini on Design; "Remote Control," Barbara Kruger on Television; "Curies' Children," Vilém Flusser on Discovery; "Special Effects," by Carol Squiers on the News and Its Pictures; "William Eggleston: Democracy & Chaos," by Mark Holborn; "Seductive Lures: Shirazeh Houshiary," by Pier Luigi Tazzi; "The Ground Has Been Covered," by Jimmie Durham and Jean Fisher; "Hinged Victories," by Patricia C. ... [details]

New York, NY : Artforum, 1988
Permalink
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.5 cm.
  • 157 pp.
  • edition size unknown
  • unsigned and unnumbered
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.5 cm.
  • 106 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 24, No. 5 (January 1986)

Ingrid Sischy, Milton Resnick, John Howell, Greil Marcus, Carter Ratcliff, Herbert Muschamp, Glenn O'Brien, Barbara Kruger, Sarah Bodine, Mark Francis, Charles Hagen, Mark Holborn, Donald Kuspit, Barry Schwabsky, Frederic Tuten, Mario Merz, Susan C. Larsen, Yoshiaki Tono, Vittorio Boarini, Gert Schiff, Jean Fisher, Suzaan Boettger, Thomas McEvilley, Ronny Cohen, Jeanne Silverthorne, John Yau, Patricia C. Phillips, Lisa Liebmann, Ed Hill, Suzanne Bloom, Linda Burnham, Colin Gardner, Bill Berkson, Gloria Moure, Pier Luigi Tazzi, Barbara Maestri, Max Wechsler, Annelie Pohlen, Paul Groot, Stuart Morgan, Lars Nittve

Issue edited by Ingrid Sischy. Essays "On Location: Milton Resnick, New York City," by Milton Resnick; "Turned Out: Christo in Paris, The Bridge Wore Beige," by John Howell; "Speaker to Speaker: Heart from the Heartland," by Greil Marcus; "Modern Life: AIDS, A Buried Allegory," by Carter Ratcliff; "Ground Up: Parabuilding - The Postmodern Tick on the Modern Elephant," by Herbert Muschamp; "Like Art: The Model Critic, A New Face in the Empire of Signs," by Glenn O'Brien; "Remote Control: Waiting for Gloria," by Barbara Kruger; "Books: Sarah Bodine on 'Moholy-Nagy;' Mark Francis on 'Ian Hamilton Finlay: A Visual Primer;' Charles Hagen on 'The Indelible Image: Photographs of War - 1846 to the Present;' Mark Holborn on 'Tokyo 1970 - 1985;' Donald Kuspit on 'The Sense of Sight;' Greil Marcus on 'Dada/Dimensions;' 'Herbert Muschamp on 'Ballet' and 'Balanchine's Tchaikovsky: Interviews with George Balanchine;' Carter Ratcliff on 'Painters and Public Life in Eighteenth-Century Paris;' Barry Schwabsky on 'Jim Dine Drawings;' Frederic Tuten on 'History of the Universe;'" "Hysterical Painting: Civilization and Francis Bacon's Exhibition of its Discontents," by Donald Kuspit; "A Project for Artforum: Written Leaf," by Mario Merz; "Cultivated Canvases: Richard Diebenkorn's Uneasy Grace," by Susan C. ... [details]

Aperture
  • periodical
  • pictorial wrappers
  • offset-printed
  • sewn bound
  • black-and-white & color
  • 29 x 24.2 cm.
  • 80 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 0893812056

Aperture

Number One Hundred / The Edge of Illusion / No. 100 (Fall 1985)

Richard Prince, David Robbins, Robert Cumming, Susan Dworkin, Fred Ritchin, Fidel Castro, Michael Berryhill, Danny Lyon, Andrew Mossin, Sarah Charlesworth, Laurie Simmons, Hiroshi Sugimoto, Lejaren à Hiller, John Baldessari, Nic Nicosia, David Graham, Joel-Peter Witkin, Clarence John Laughlin, Mark Holborn

Issue edited by Mark Holborn. Essays "Richard Prince," an interview by David Robbins; "Studio Still Lifes," by Robert Cumming; "Brian De Palma's 'Body Double,'" by Susan Dworkin; "The Future of Photojournalism," by Fred Ritchin; "Fidel Castro on Photography"; "Dream Portraits," photographs by Appalachian children; "People and Ideas: Ray Metzker," by Michael Berryhill; "People and Ideas: In Praise of Agee," by Danny Lyon; "People and Ideas: Agee and the Photographer's Art," by Andrew Mossin. ... [details]

New York, NY : Aperture, 1985
Permalink
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.9 cm.
  • 112 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 21, No. 9 (May 1983)

Ingrid Sischy, Mark Holborn, Eugenio Battisti, Philip Strick, Sidney Tillim, Carter Ratcliff, Thomas McEvilley, Glenn O'Brien, Edit deAK, Lisa Liebmann, Charles Hagen, Lisa Liebmann, Ronny H. Cohen, Jeanne Silverthorne, Richard Armstrong, Donald Kuspit, Kate Linker, Barbara Kruger, Judith Russi Kirshner, Howard Singerman, Richard Armstrong, Susan C. Larsen, Suzaan Boettger, Gérard-Georges Lemaire, Saskia Bos, Jean Fisher, Ronny H. Cohen

Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]

New York, NY : Artforum, 1983
Permalink
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.9 cm.
  • 88 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 21, No. 6 (February 1983)

Ingrid Sischy, Peter Galassi, John Yau, Mark Holborn, Alain Kirili, Gary Stephan, Sidney Geist, Lisa Liebmann, Thomas Lawson, Ronny H. Cohen, Barbara Kruger, Richard Armstrong, Glenn O'Brien, Donald Kuspit, Charles Hagen, Kate Linker, Jeanne Silverthorne, John Howell, Edit deAk, Judith Russi Kirshner, Hal Fischer, Christopher Knight, Susan C. Larsen, Stuart Morgan, Paul Groot, Annelie Pohlen, Ida Panicelli, William Eggleston

Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]

New York, NY : Artforum, 1983
Permalink
objects: 8
1