May 1976 issue of Artforum, edited by John Coplans. Contents include: "Chris Burden," by Robert Horvitz; "Carol Andre: Art Versus Talk," by Jeff Perrone; "Carl Andre: Art Versus Talk," by Jeff Perone; "Marcel Broodthaers' Throw of the Dice," by Nicholas Calas; "Frida Kahlo: Her Life, Her Art," by Hayden Herrera; "Non-Theatrical Performance," by Allan Kaprow; "Nancy Spero," by Lawrence Alloway; "Drawing the Line," by Nancy Foote; "The Ideal and the Literal Sublime," by Sidney Tillim. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
Issue edited by John Coplans. Essays "Ilya Bolotowsky at the Guggenheim," by Roberta Smith; "Beyond Reductivism: The Work of Alan Sondheim," by Robert Joseph Horvitz; "Rauschenberg and the Materialized IImage," by Rosalind Krauss; "Traversing the Field. ... [details]
Issue edited by John Coplans. Essays "Nature as Artifact: Alan Sonfist," by Robert Joseph Horvitz; "Residual Sign Systems in Abstract Expressionism," by Lawrence Alloway; "Sense and Sensibility," by Rosalind Krauss; "Ellsworth Kelly at the Modern," by Joseph Masheck; "The Rivera Frescoes of Modern Industry at The Detroit Institute of Arts: Proletarian Art Under Capitalist Patronage," by Max Kozloff; "Mary Miss," by Laurie Anderson; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
Issue edited by John Coplans. Essays "Donald Burgy: Participating in the Universe," by Robert J. Horvitz; "Three Swiss Painters," by Robert Pincus-Witten; "On Giacommetti," by Andrew Forge; "Robert Morris: the Complication of Exhaustion," by Jeremy Gilbert-Rolfe; "Jean Vigo's 'Taris'," by Bill Simon; "The Provincialism Problem," by Terry Smith; "Judy Chicago, Talking to Lucy R. ... [details]
One of the most important publication of the 1970s conceptualism edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Only three issues published between 1975 and 1976. ... [details]
Irregularly issued artists' periodical of writings and artists' projects. Contributions by Angelo Savelli, Robert Indiana, Robert Motherwell, David Smyth, Will Insley, Sol LeWitt, Mario Yrissary, Barnett Newman, Gino Severini, Alberto Giacometti, Frank O'Hara, Larry Rivers, Adolf Wölfli, Ad Reinhardt, Peter Hutchinson, May Stevens, Frnacis Picabia, Saul Baizerman, Rosemarie Castoro, Jean Dubuffet, Michael Goldberg, Jean Dubuffet, Rosalind Hodkins, Joseph Cornell, Sari Dienes, David Hare, Oyvind Fahlstrom, Piero Dorazio, Roger Welch, William Tucker, Barbara Kruger, Elyssa Rundle, Peter Plagens, Eugene Kayser, Richard Kostelanetz, Robert De Niro, A. ... [details]
Issue edited by Herbert George. Essays "Brief Tales," by Wendy Walker; "Plot," by Vito Acconci; "Project for Five Wells Descending a Hillside," by Alice Aycock; "To Be Compared with Your Own Experience," by Jiri Kolar; "Playing at Acting," by Jiri Kolar; "A Statement," by Rudolf Baranik; "74 Characteristics of the World," by Alan Sondheim; "Characterizations of the Word," by Alan Sondheim; "Peril," by Dorothy Alexander; "Discourse," by Jud Fine; "Painting and Its Double," by Marc Devade; "On Some Criticisms of My Criticism, with Particular Regard to Those of the Confessional and Exculpatory Variety," by Jeremy Gilbert-Rolfe; "Untitled," by Robert J. ... [details]