objects: 3
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Esopus
  • periodical
  • pictorial wrappers
  • offset-printed
  • sewn bound
  • other special feature[s]
  • color
  • 29 x 23 cm.
  • 132 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 9780976164159

Esopus

No. 8

Tod Lippy, Neil Goldberg, Steve Weyl, Headlong Dance Theater, Stuart Nadler, Penelope, Michelle Elligott, Dawn Clements, Neil Greenberger, Fritz Swanson, Allen Ruppersberg, Paul VanDeCarr, Ruben Green, Wendy Iraheta, Angus Trumble

Edited by Tod Lippy. Essays "Found Object: Collective Struggles: A letter discovered in 1975 in a hiding space beneath a cottage in Palo Alto, CA," contributed by Steve Weyl; "Singular Network: A dance company documents the creation of Cell, a piece crafted for one audience member at a time," by Headlong Dance Theater; "New Voices: "Carter and the Kid": Fourth in our series of fiction by emerging authors," by Stuart Nadler; "Paintings for Cash: The Confessions of a Marketable Artist: An anonymous dispatch from a parallel art universe," by "Penelope"; "Modern Artifact 2: "Dear Miss Miller. ... [details]

New York, NY : Esopus, 2007
Permalink
  • exhibition catalogue
  • boxed edition
  • ink jet printed
  • stitch bound
  • black-and-white & color
  • 23 x 14 cm.
  • [unpaginated]
  • edition size 100
  • unsigned and numbered

Annotations

[21 Volume Box Set]

Public-Holiday Project, Champion Fine Art, Rachel Foullon, Matt Keegan, Laura Kleger, Sara Greenberger, Adam Putnam, Alex Robbins, Halsey Rodman, Carter Mull, Michael Zahn, Rebecca Chamberlain, Christopher Chiappa, John Pilson, Jeroen Kooijmans, Guy Richards Smit, Michael Smith, William Wegman, Kelly Breslin, Meredith Danluck, Alice Könitz, Jeff Ono, Michelle Lopez, Kate Grinnan, Tom Texas Holmes, Slylar Haskard, Anna Sew Hoy, Joe Scanlan, Stephen Shore, Kelley Walker, Flora Wiegmann, Drew Heitzler, James Welling, Eric Wesley, Carey Young, Walead Beshty, Rose Kallal, Fia Backström, Michael Phelan, Jonah Freeman, Chuck Nanny, Adam McEwen, John Tremblay, Peter Coffin, Craig Kalpakjian, John Armleder, Cyprian Gaillard, Jan Groover, Kevin Landers, Olivier Mosset, Amy O'Neill, Kirsten Mosher, Jordan Wolfson, Samuel Casebolt, Candace Cole, Charles Goldman, Alix Lambert, Brian Bress, Jeff Burton, Corinna Schnitt, Monique van Genderen, Terra Fuller, Benjamin Butler, Suzanna Vapnek, Franklin Evans, Mari Eastman, Charles Irvin, Holly Coulis, Brian Belott, Bella Foster, Melissa Brown, Brendan Cass, Charlotta Westergren, Ellen Altfest, Tyson Reeder, Scott Reeder, Claudia Pena, Katherine Bernhardt, Nick Barna, Scott Cassidy, Tom Costa, Erik Frydenborg, Hannah Greely, Jesse Kamm, Kalup Donte Linzy, Shana Lutker, Avigail Moss, Stephen Rhodes, Joaquin Spengemann, Jonas Wood, Heather Cantrell, Rachel Corry, Drew Dominick, Ernest Gibson, Raffi Kalenderian, Shio Kusaka, Nate Lowman, Tony Matelli, Adrian Paules, Bert Rodriguez, Keith Vaughn, Matt Johnson, Jonas Nobel, Jessica Jackson Hutchins, Frederik Söderberg, Dan Torop, Roe Ethridge, Nina Andersson, Ron Jude, Kevin Landers, Aleksandra Mir, Andrew Rodgers, Chris Verene, Matt Ducklo, Huma Bhabha, Jennifer Sirey, Nancy Shaver, Susan Jennings, Jennifer Coates, David Shaw, Valetin Carron, Gardar Eide Einarsson, Fabrice Gygi, Alex Morrison, Mai-thu Perret, Aidas Bereikis, Bettina Funcke, Seth Price, Bill Saylor, Anke Weyer, Wendy White, Emily Sunblad, Josh Smith, Lizzie Bougatsos, Amy Granat, Elizabeth Valdez, Steven Parrino, Alex Kwartler, Macrae Semans, Molly Welch, Allyson Vieira, Jarrett Mellenbruch, Adam Raymont, Emily Miranda, Carol Bove, Christian Brown, Robert Medvedz, Jon Widman, Lorenzo de Los Angeles, Gordon Terry, Hisham Akira Bharoocha, Bjorn Copeland, Scott Wolniak, Andrew Jeffrey Wright, Reed Anderson, Larry Bamburg, Sylvie Fleury, Adam Frelin, Vincent Szarek

"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]

Ear Magazine
  • periodical
  • folded broadsheet
  • offset-printed
  • loose leaves
  • black-and-white
  • 42 x 29 cm.
  • 10 pp.
  • edition size unknown
  • unsigned and unnumbered

Ear Magazine

Vol. 2, No. 1 (February & March 1976)

Gleen, Dick Higgins, Hannah Weiner, Anna Lockwood, Bonnie Mara Barnett, Wendy Greenberg, Elaine Hartnett, Amy Miller Levine, Margret Fisher, Barbara Benary, Jill Kroesen, Phil Harmonic, Alison Knowles, Graham Weinbren, Beth Anderson, Marj Anderson, Shigeko Kubota, Betsy Davids

Magazine of New Music. Essays: "Leather Jacket Vaudeville," by Dick Higgins; "Untitled," by Betsy Davids; "Sun," by Hannah Weiner; "Consulting Musician," by Anna Lockwood; "Vocal Flow," by Bonnie Mara Barnett; "Preamble For Elayne," by Amy Miller Levine; "Margret Fisher's New Project," by Margret Fisher; "Five Traditions of Art History, an Essay," by Dick Higgins; "Sale #5 : Crock," by Barbara Benary; "Political Music," by Jill Kroesen; "Art and Romace / Romance and Art," by Phil Harmonic; "Monkey Shines," by Alison Knowles; "Music In The Sun," by Grahame Weinbren; "If I Were A Poet," by Beth Anderson; "Performance Piece for Eleanor Antin," by Alison Knowles; "Cornbread Recipe," by Marj Anderson; "Video Girls and Video Songs for Navajo Sky," by Shigeko Kubota. [details]

objects: 3
1