The Independent Group : Postwar Britain and the Aesthetics of Plenty
  • exhibition catalogue
  • cloth boards with dust jacket
  • offset-printed
  • sewn bound
  • black-and-white & color
  • 31 x 25 cm.
  • 256 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 0262181398

The Independent Group : Postwar Britain and the Aesthetics of Plenty

The Independent Group, Jacquelynn Baas, Graham Whitham, Lawrence Alloway, Theo Crosby, Barry Curtis, Diane Kirkpatrick, David Mellor, David Robbins, Denise Scott Brown, Alison and Peter Smithson, David Thistlewood, Mary Banham, Richard Hamilton, Geoffrey Holroyd, Magda Cordell McHale, Dorothy Morland, Eduardo Paolozzi, Toni del Renzio, Alison Smithson, Peter Smithson, James Stirling, William Turnbull, Colin St. John Wilson

The Independent Group : Postwar Britain and the Aesthetics of Plenty

description

"The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism.

This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - "Parallel of Life and Art," "Man, Machine and Motions," "This Is Tomorrow," and "An Exhibit." Above all, the book emphasizes the interaction between the exhibitions, discussions, art and writings of IG members, showing the ways in which they established a new aesthetic horizon." -- publisher's statement. Exhibition catalogue published in conjunction with show held at the Institute of Contemporary Arts, London, February 1 - April 1, 1990; Instituto Valenciano de Arte Moderno (IVAM), Centro Julio Gonzalez, Valencia, Spain, May 16 - September 16, 1990; The Museum of Contemporary Art, Los Angeles, November 4, 1990 - January 13, 1991; and the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 8 - August 18, 1991. Includes essays by Lawrence Alloway, Theo Crosby, Barry Curtis, Diane Kirkpatrick, David Mellor, David Robbins, Denise Scott Brown, Alison and Peter Smithson, and David Thistlewood. With retrospective statements by Lawrence Alloway, Mary Banham, Richard Hamilton, Geoffrey Holroyd, Magda Cordell McHale, Dorothy Morland, Eduardo Paolozzi, Toni del Renzio, Alison and Peter Smithson, James Stirling, William Turnbull, and Colin St. John Wilson. Includes chronology, appendix of the 1955 IG meetings, and bibliography. Profusely illustrated in black-and-white and color.

Cambridge / London, MA / United Kingdom : MIT Press, 1990
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