Heresies : A Feminist Publication on Art & Politics / Third World Women
  • periodical
  • wrappers
  • offset-printed
  • glue bound
  • black-and-white
  • 27.9 x 21.6 cm.
  • 128 pp.
  • edition size unknown
  • unsigned and unnumbered

Heresies : A Feminist Publication on Art & Politics / Third World Women

No. 2, Vol. 2 (Issue No. 8)

Lula Mae Blocton, Yvonne Flowers, Valerie Harris, Zarina Hashmi, Virginia Jaramillo, Dawn Russell, Naeemah Shabazz, Howardena Pindell, Gloria Rayl, Marcella Trujillo, Gloria Jaramillo-Trout, Diana Bellesi, Tona Wilson, Jaune Quick-to-See Smith, Vivian E. Browne, Valerie Harris, Rosemari Mealy, Yvonne A. Flowers, Naeemah Shabazz, Magdalena Suarez Frimkess, Adrian Piper, Jayne Cortez, Valerie Harris, Erlene Stetson, Beverly Buchanan, Cliff, Julianne Malveaux, Eleanor Smith, Sandra Maria Esteves, Emmi Whitehorse, Virginia Jaramillo, Lula Mae Blocton, Zarina, Ann Page, Li-Lan, Dawn Russell, Katherine Odoms, Barbara Sheen, Joy Harjo, Valerie Harris, Yolanda M. Lopez, Phyllis Thompson, Barbara Swartz, Mario Lino, Suzana Cabañas, Ana Mendieta, Motoko Ikeda-Spiegel, Katherine Hall, Michele Russell, Betye Saar, Myrtha Chabrán, Martha Cochrane, Audre Lorde, Valerie Harris, Amina Muñoz

Heresies : A Feminist Publication on Art & Politics / Third World Women

description

Editorial collective for "Third World Women: The Politics of Being Other," issue of Heresies: Lula Mae Blocton, Yvonne Flowers, Valerie Harris, Zarina Hashmi, Virginia Jaramillo, Dawn Russell, Naeemah Shabazz. Essays "Criticism/or/Between the Lines," by Howardena Pindell; "Untitled," by Gloria Rayl; "The Dilemma of the Modern Chicana Artist and Critic," by Marcella Trujillo; "Poem," by Gloria Jaramillo-Trout; "Human Word, Sacred Word," by Diana Bellesi; Translated by Tona Wilson; "Painter's Chant," by Jaune Quick-to-See Smith; "A Photo Essay on the People's Republic of China," by Vivian E. Browne; "Power Exchange 1: Chris Choy," by Valerie Harris; "Some Reflections on Black Women in Film," by Rosemari Mealy; "On Never Quite Being Good Enough: Legal Instituitional Racism, Sexism and Elistism," by Yvonne A. Flowers; "Friends of Mabel Hampton"; "Homophobia: Myths and Realities," by Naeemah Shabazz; "No More Apples for Me, Thank You," Magdalena Suarez Frimkess; "Political Self-Portrait #2," by Adrian Piper; "Without Consent"; "So Many Feathers," by Jayne Cortez; "Power Exchange 2: Barbara Ann Teer," by Valerie Harris; "A Note on the Woman's Building and Black Exclusion," by Erlene Stetson; "Wall Fragment/Ga," by Beverly Buchanan; "Against Granite," by Michelle Cliff; "Three Views of Black Women - The Myths, the Statistics, and a Personal Statement," by Julianne Malveaux; "Canvas with an Unpainted Part," by Li-Lan; "And Black Women Made Music," by Eleanor Smith; "Music Is My Lover (for Ntozake Shange)," by Sandra Maria Esteves, "The Other Porfolio," by Emmi Whitehorse, Virginia Jaramillo, Lula Mae Blocton, Zarina, Ann Page, Li-Lan; "Black Women and Work: My Experiences," by Dawn Russell; "Seamstress on Line," by Katherine Odoms; "Maria," by Barbara Sheen; "Remember: Letter to a Young Indian Poet," by Joy Harjo; "Power Exchange 3: Suni Paz," by Valerie Harris; "Three Generations," by Yolanda M. Lopez; "Patchwork," by Phyllis Thompson; "Inmate Mothers and Their Children," by Barbara Swartz; "Incarceration #2," by Mario Lino; "The Imposter," by Suzana Cabañas; "Silueta Series," by Ana Mendieta; "Concentration Camps in the U.S.A.," by Motoko Ikeda-Spiegel; "The Alien," by Katherine Hall; "Black Eyed Blues Connections: From the Inside Out," by Michele Russell; "Four Women in a Storm," by Betye Saar; "Visit to the Dentist: Dialectics," by Myrtha Chabrán; "Visual," by Martha Cochrane; "Action Against Racism in the Arts"; "Need," by Audre Lorde; "Power Exchange 4: Camille Billops," by Valerie Harris; "Women and Census Form"; "Isabela," by Amina Muñoz. Includes notes on contribuotrs and other reading sources.

references

"Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 264.
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