October
  • periodical
  • wrappers
  • offset-printed
  • glue bound
  • black-and-white
  • 23 x 17.5 cm.
  • 112 pp.
  • edition size unknown
  • unsigned and unnumbered

October

No. 59 (Winter 1992)

Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman, Gilles Deleuze, David Joselit, Cesare Casarino, Steven Kasher, Antonia Lant

October

description

Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postscript on the Societies of Control," by Gilles Deleuze; "Marcel Duchamp's 'Monte Carlo Bond Machine,'" by David Joselit; "Oedipus Exploded: Pasolini and the Myth of Modernization," by Cesare Casarino; "The Art of Hitler," by Steven Kasher; "The Curse of the Pharaoh, or How Cinema Contracted Egyptomania," by Antonia Lant. Cover: "The Art of Hitler," An Exhibition by Steven Kasher, Rutgers University, January - February, 1991.

references

"Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 280.

related objects

October / No. 1 (Spring 1976)
October / No. 2 (Summer 1976)
October / No. 3 (Spring 1977)
October / No. 4 (Fall 1977)
October Photography : A Special Issue / No. 5 (Summer 1978)
October Soviet Revolutionary Culture: A Special Issue / No. 7 (Winter 1978)
October / No. 8 (Spring 1979)
October / No. 10 (Fall 1979)
October / No. 13 (Summer 1980)
October / No. 14 (Fall 1980)
[see more]
Cambridge, MA : MIT Press, 1992
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