Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art
  • exhibition catalogue
  • cloth boards with dust jacket
  • offset-printed
  • sewn bound
  • black-and-white & color
  • 26 x 22.5 cm.
  • 274 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 9780262018166

Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art

Lucy R. Lippard, Catherine Morris, Vincent Bonin, Julia Bryan-Wilson

Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art

description

Exhibition catalogue / monographs published in conjunction with show held at Brooklyn Museum, September 14, 2012 - February 3, 2013. Preface by Lucy R. Lippard. Essays by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson.

"Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'"
-- Lucy R. Lippard, Six Years

"In 1973 the critic and curator Lucy R. Lippard published 'Six Years,' a book with possibly the longest subtitle in the bibliography of art : 'The dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard.' 'Six Years,' sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard’s celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book.

The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard’s own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices." -- publisher's statement.

objects referenced in this publication

Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art
19 : 45 - 21 : 55 : September 9th 1967 / Frankfurt Germany
Non-Anthropomorphic Art by Four Young Artists : Four Statements
Royal Road Test [First Edition]
Aspen Magazine in a Box [for Stephane Mallarmé] [aka : The Minimalism Issue] / No. 5 + 6 (Fall - Winter 1967)
Royal Road Test [Third Edition]
Royal Road Test [Fourth Edition]
Carl Andre Robert Barry Douglas Huebler Joseph Kosuth Sol LeWitt Robert Morris Lawrence Weiner [aka : The Xerox Book, aka : Andre / Barry / Huebler / Kosuth / LeWitt / Morris / Weiner]
557,087
A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]
[see more]
Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012
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