Exhibition catalogue / monograph published following show held at David Zwirner, New York, January 7 - February 12, 2011. "112 Greene Street was one of New York''s first alternative, artist-run venues. ... [details]
"In The Bowery in two inadequate descriptive systems (1974—75), Martha Rosler bridged the concerns of art with those of political documentary. The work, a series of twenty-one black-and-white photographs, twenty-four text panels and three blank panels, embraces the codes of the photo-text experiments of the period and applies them to the social reality of New York''s Lower East Side. ... [details]
Issue edited by Tod Lippy. Essays and projects "Artist's Project," by Bryan Nash Gill; "Analog Recovery 2: Home Studio," Photos by Erich Hartmann, introduction by Ruth Bains Hartmann, series edited by John Jacob; "Angus Trumble's 1986 in Haiku," by Angus Trumble; "Found Object: Spliced Duck," contributed by Rich Remsberg; "100 Frames: Kelly Reichardt's 'Ode' (1999)," introduction by Amy Taubin; "Artist's Project," by Mary Lum; "Modern Artifacts 11: Creating 'Spaces,'" introduction by Michelle Elligott; "New Voices: 'Good Friends,'" by Victoria Matsui; "Artist's Project," by Bill Burns; "Notes of Appreciation," introduction by Electra Slonimsky Yourke. ... [details]
Exhibition catalogue published following his retrospective "Maurizio Cattelan: All" held at the Guggenheim Museum, New York, November 4, 2011 - January 22, 2012. Edited by Pierpaolo Ferrari, Sebastiano Mastroeni. ... [details]
Artist's book examination of the feature-length video "My Best Thing" by Frances Stark. Edited by Jenifer Papararo and Kitty Scott. Foreword by Nigel Prince and Kitty Scott. Essay by Mark Godfrey. Afterword by Jenifer Papararo. ... [details]
![Toilet Paper [aka Toiletpaper]](/objects/images/s20906.jpg "Toilet Paper [aka Toiletpaper]")
Issue five of artists'' publication conceived and with images by Maurizio Cattelan and Pierpaolo Ferrari. "Made by Maurizio Cattelan in collaboration with fellow countryman Pierpaolo Ferrari, Toilet Paper 5 is a brilliant new creation from the aberrant, animated mind of the Italian-born provocateur, mischief-maker and macabre witness to our times. ... [details]
Issue number nine of the bi-annually published periodical F.R. David. Edited and designed by Will Holder. Essays "Letter to a Funeral Parlour," by Lydia Davis; "Often I am permitted to return to a meadow," by Robert Duncan; "Practical Stylistics (Chapter 3)," by H. ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
Compendium of critical texts on the art of Claes Oldenburg. Edited and with an essay by Nadja Rottner. Additional essays by Joshua Shannon, Yve-Alain Bois, Julia E. Robinson, Ellen H. Johnson, Benjamin H. ... [details]
Volume one of a catalogue raisonné of the early works (1956 - 1974) of John Baldessari. Edited by Patrick Pardo and Robert Dean, with an essay by Yve-Alain Bois and an interview between John Baldessari and Christopher Knight. ... [details]
