Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]
Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. ... [details]
Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "Light," photographs by Joel Meyerowitz; "Light," watercolors by Agnes Martin; "A Light Opportunity," editorial by Edit deAk and Ingrid Sischy; "A Light Compass"; "Northern Lights," by Per Kirkeby and Komar and Melamid; "Eastern Lights, Western Lights," by Francesco Clemente, Eiko Ishioka, Gerhard Richter, Pat Place, and Linda Yablonsky; "Southern Lights," by Nicola De Maria and Peter Magubane; "Shadow Captions. ... [details]
Issue edited by Ingrid Sischy. Essays "Breaking the Box: The Electronic Operas of Robert Ashley and Woody Vasulka," by Charles Hagen; "Inside Out," photographs by Peter Campus; "Child's Play: The Late Work of Elie Nadelman," by Klaus Kertess; "Andy Warhol: Inflation Artist," by Carter Ratcliff; "Cosmic Visions from North and South," by Annelie Pohlen; "Bread and Circuses," by Stuart Morgan; "Books: Greil Marcus on 'Our Lives and Our Children,'" by Greil Marcus; "Books: Frederic Tuten on 'The Innocent Eye,'" by Frederic Tuten; "Short Cut, Fast Lane," by Greil Marcus; "Forum: What a Legend Becomes," by John Howell. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
