Compendium of jokes and messages from a file on Seth Siegelaub's computer found by Marja Bloem after his death. "These jokes, quotes, and pieces of advice had been collected by Seth since 1999 and were redistributed regularly via email amongst his friends. ... [details]
"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Poster published in conjunction with installation held April 28 - May 5, 1974. Dream House was "a time installation measured by a continuous frequency environment in sound and light with singing and instrumental performances by The Theatre of Eternal Music" (Marian Zazeela, La Monte Young, Alex Dea, Jon Hassell, David Rosenboom, De Tracia Evans, Peter Moncure, Michael Anander, Barbara Stewart, Yoshimasa Wada, Robert Adler, David Cremin, Kurt Munkacsi). ... [details]
April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman; "Ambitious: A project for Artforum," by Janet Zweig. ... [details]
Winter 1986 issue of Effects edited by Tricia Collins and Richard Milazzo. Contributions by Tricia Collins, Richard Milazzo, Allan McCollum, James Welling, Oliver Wasow, Carroll Dunham, Tom Brazelton, Ettore Bonessio di Terzat, Frank Majore, Peter Nadin, Robin Weglinkski, Joseph Nechvatal, Meyer Vaisman, Peter Halley, Carlo McCormick, Julie Wachtel, David Robbins, Barry Bridgwood, Kevin Larmon, Gérald Van Der Kaap, Peter Klashorst, Jonathan Lasker, Richard Milani, Franco Marinai, Richard Prince, Vikky Alexander, Joseph Masheck, Craig Adcock, Mark Innerst, Jane Bauman, Susan Davis, and Giuseppe Salvatori. ... [details]
Issue edited by Bice Curiger. Essays "Carsten Höller - Getting Real," by Michelle Nicol; "Juan Muñoz and the Specularity of the Divided Self," by Lynne Cooke; "The Art of Conversation," by Alexander Melo; "A Conversation, New York, 22 January 1995," by James Lingwood and Juan Muñoz; "A Man in a Room, Gambling," by Gavin Bryars; "Breath," by Robert Creeley; "The Evolution of the Horse," by Ingrid Schaffner; "Paintings as an Immense Feeling," by Jean-Christophe Ammann; "Essential Hesitations," by Mark Stevens; "On Walking and Working. ... [details]
Issue no. 3 of X-X-X-Fruit, the Diaries issue. Introduction by Anne-Christine d'Adesky. Artists include Nan Goldin, Robert Mapplethorpe, Ann Rower, Dodie Bellamy, George Jochnowitz, Bob Flanagan, Glenn Belverio, Chris Kraus, Linda Yablonsky, Kathe Izzo, CB Sundance, Anabel Watson, Mary Jane Sullivan, Rhoda & Mark Berenson, Jeff McMahon, Gregg Bordowitz, Klaus Kertess, Billy Sullivan, Eric Hanson, Stephen Barker, David Armstrong, Stephen Andrews, Corey A. ... [details]
Issue five [5] of Pig, an artist's periodical edited and with contributions by John Lekay and Erik Oppenheim. Contributions by Monique Safford, Rirkrit Tiravanija, Alexandra David-Neel, Gretchen Faust, Kevin Warren, Anagarika Govinda, Marcia Tucker, Keith Dowman, Henri Michaux, George Brecht, G. ... [details]
Issue number 2 of Spectacle Magazine, edited by Kathi Norklun. Contents include: "Letters;" "Run That by Me Again," by Kathi Norklun; "'Emblem,' an Exhibition," by Cam Slocum; "Elizabeth Bryant;" "from 'Natural Genre,' an exhibition," by Tricia Collins and Richard Milazzo; "Propositions of Art Criticism," by Sanda Agalidi; "Connie Fitzsimons;" "Mark Gash;" "Contemporary Psycho-styles," by Bruce D. ... [details]
Exhibition catalogue published in conjunction with show held at The New Gallery for Contemporary Art, Cleveland, OH, December 11, 1981 - January 16, 1982. Traveled to: The Gibbes Art Gallery, Charleston, SC, May 19, 1982 - September 5, 1982; The Hudson River Museum, Yonkers, New York, July 25, 1982 - September 5, 1982; USF Art Galleries, University of South Florida, Tampa, FL, April 8, 1983 - August 7, 1983; Alberta College of Art Gallery, Calgary, Alberta, Vanada, November 15, 1983 - December 15, 1983; and Pensacola Museum of Art, Pensacola, FL, March 1984 - April 1984. ... [details]