![Second Annual New York Festival of the Avant Garde [New York Avant Garde Festival]](/objects/images/s8248.jpg "Second Annual New York Festival of the Avant Garde [New York Avant Garde Festival]")
Program for the Second Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 30 - September 13, 1964. Organized by N. Seaman and Charlotte Moorman. Performances and contributions by Charlotte Moorman, Karlheinz Stockhausen, Allan Kaprow, James Tenney, Max Neuhaus, Alvin Lucier, Robert Delford Brown, Olga Kluver, Lette Eisenhauer, Robert Breer, Garry Harris, David Behrman, Marjorie Strider, Michael Kirby, Allen Ginsberg, Vincent Gaeta, Gloria Graves, Dick Higgins, Jackson Mac Low, Peter Leventhal, Mary Bauermeister, Matthew Raimondi, Malcolm Goldstein, Marilyn Reiley, Joseph Shor, Jacob Glick, Benjamin Patterson, Mary Barnette, Alice Kogan, Mary Kucier, Charles Morrow, Jame Lee, George Brecht, Joe Jones, Lorenzo Thomas, Nam June Paik, Frederic Rzewski, Philip Corner, Christian Wolff, Morton Feldman, Robert Moran, Stefan Wolpe, Lukas Foss, Bertram Baldwin, Terry Jennings, Earle Brown, John Cage, Guisseppe Chiari, Toshi Ichiyanagi, Richard Maxfield, Kaniharu Akiyama, Harvey Sollberger, Mario Davidovsky, Yannis Xenakis, Luciano Berio, Luc Ferrari, Robert Bayley, Philip Jameson, Gyorgy Ligeti, Henri Pousseur, Peter Moore, Gordon Mumma, George Cacioppo, Robert Ashley, Carl Spelbring, Bruce Wise, George Crevoshay, Edgard Varese, Vincent Cavalli, Adrian Gnam, Ryo Hei Nakagawa, William Lewis, Fred Mills, Donald Stratton, John Bergamo, Edward Burnham, Raymond Desroches, Fred Eckler, Richard Fitz, Paul Price, and Howard Zwickler. ... [details]
"Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Jack Bankowsky. Essays "Slant: Daniel Birnbaum on Konrad Fischer/Lueg," by Daniel Birnbaum; "Steven Henry Madoff on Gary Garrels," by Steven Henry Madoff; "David Frankel on 'Encounters,'" by David Frankel; "Guy Brett on the London Biennale," by Guy Brett; "Passages: Valerie Steele on Rich Martin," by Valerie Steele; "Barry Schwabsky on the editor's note," by Barry Schwabsky; "Hot List," by Norman M. ... [details]
Issue edited by Michelle Kuo. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. ... [details]
