Exhibition catalogue published in conjunction with show held April 6 - May 25, 2018. Text by Dieter Schwarz. Includes exhibition checklist. [details]
Exhibition catalogue published in conjunction with show held April 15 - June 12, 2016. Essays by Claire Gilman and Béatrice Gross. Artists included William Anastasi, Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Jo Baer, John Baldessari, Robert Barry, Gene Beery, Franco Bemporad, Mel Bochner, Alighiero Boetti, John Cage, Enrico Castellani, Lucinda Childs, Chuck Close, Hanne Darboven, Honoré Daumier, Jan Dibbets, Peter Downsbrough, Sam Durant, Jackie Ferrara, Dan Flavin, Charles Gaines, Gilbert & George, Philip Glass, Dan Graham, Nancy Graves, Hans Haacke, Eva Hesse, Channa Horwitz, Shirazeh Houshiary, Clarence John Laughlin, Ray Johnson, Donald Judd, Alex Katz, On Kawara, Emily Kame Kngwarreye, Jannis Kounellis, Jacques Lacombe, Barry Le Va, Sol LeWitt, Jane Logemann, Richard Long, Lee Lozano, Alvin Lucier, Robert Mangold, Mario Merz, Kazuko Miyamoto, Ree Morton, Eadweard Muybridge, Maurizio Nannucci, Giulio Paolini, Henry Pearson, Adrian Piper, Sylvia Plimack Mangold, Steve Reich, Dorothea Rockburne, Fred Sandback, Jan Schoonhoven, Robert Smithson, Pat Steir, Allyson Strafella, Old Tutuma Tjapangati, David Tremlett, Yoshiiku Utagawa, Georges Vantongerloo, Bernar Venet, Ruth Vollmer, Hannah Weiner, Lawrence Weiner and Franz West. ... [details]
Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca' Corner della Regina, Venice, Italy, June 1 – November 3, 2013. Exhibition was based on the original 1969 show—"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"—held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. ... [details]
Exhibition catalogue published in conjunction with show held at Daimler Contemporary, Berlin, Germany, March 31 - September 9, 2012. Edited by Renate Wiehager, with text on minimalist tendencies in German architecture, literature, film and design by Sandra Brechtelt, Nadine Brüggebors, Susannah Cremer-Bermbach, Norbert Grob, Dorothée Henschel, Paul Kaiser, Miriam Schoofs, Gregor Stemmrich, Renate Wiehager. ... [details]
"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]
Exhibition catalogue published in conjunction with show held April 12 - May 27, 2011. Curated and with an essay by Veronica Roberts. Includes an exhibition checklist. [details]
Exhibition catalogue published in conjunction with show held at the Hammer Museum, Los Angeles, September 25, 2010 - January 3, 2011. Traveled to University of New Mexico Art Museum, March 25 - July 24, 2011 ; Brooklyn Museum of Art, September 16, 2011 - January 8, 2012. ... [details]
Artist's book by Mario García Torres. Part of a series published on the occasion of the 2da Trienal Poli/Gráfica de San Juan: América Latina y el Caribe. Text and interviews by García Torres and Willoughby Sharp. ... [details]
Exhibition catalogue published in conjunction with show held at the Fruitmarket Gallery, Edinburgh, July 30, 2009 – October 25, 2009. Traveled to the Camden Arts Centre, London November 27, 2009 – January 24, 2010; to the Tapies Foundation, Barcelona, in 2010; to the Art Gallery of Ontario, Canada, and to the Berkeley Art Museum. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]