Large-scale exhibition catalogue published in conjunction with show "The Love of Art Comes First: Art & Project at the Kröller-Müller Museum," held at Kröller-Müller Museum, Netherlands, September 30, 2023 - February 25, 2024. ... [details]
"Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. ... [details]
A book on artists' books by Mel Bochner held in the collection of the Athenaeum Music & Arts Library, produced as part of their Artists' Book Publication series. Introduction by Erika Torri. Includes sections on the library, an introduction to artists' books, an introduction to Bochner, a catalogue of books by Bochner with call numbers, selected other books by Bochner in the collection, a list of further resources and libraries holding books by Bochner and more. [details]
Exhibition catalogue published in conjunction with show held at Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, and Staatliche Museen zu Berlin, January 22, 2014 - May 29, 2016. Curated by Lisa Marei Schmidt. ... [details]
Exhibition catalogue published in conjunction with show held April 15 - June 12, 2016. Essays by Claire Gilman and Béatrice Gross. Artists included William Anastasi, Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Jo Baer, John Baldessari, Robert Barry, Gene Beery, Franco Bemporad, Mel Bochner, Alighiero Boetti, John Cage, Enrico Castellani, Lucinda Childs, Chuck Close, Hanne Darboven, Honoré Daumier, Jan Dibbets, Peter Downsbrough, Sam Durant, Jackie Ferrara, Dan Flavin, Charles Gaines, Gilbert & George, Philip Glass, Dan Graham, Nancy Graves, Hans Haacke, Eva Hesse, Channa Horwitz, Shirazeh Houshiary, Clarence John Laughlin, Ray Johnson, Donald Judd, Alex Katz, On Kawara, Emily Kame Kngwarreye, Jannis Kounellis, Jacques Lacombe, Barry Le Va, Sol LeWitt, Jane Logemann, Richard Long, Lee Lozano, Alvin Lucier, Robert Mangold, Mario Merz, Kazuko Miyamoto, Ree Morton, Eadweard Muybridge, Maurizio Nannucci, Giulio Paolini, Henry Pearson, Adrian Piper, Sylvia Plimack Mangold, Steve Reich, Dorothea Rockburne, Fred Sandback, Jan Schoonhoven, Robert Smithson, Pat Steir, Allyson Strafella, Old Tutuma Tjapangati, David Tremlett, Yoshiiku Utagawa, Georges Vantongerloo, Bernar Venet, Ruth Vollmer, Hannah Weiner, Lawrence Weiner and Franz West. ... [details]
Artist multiple "Inspired by Mel Bochner's work 'Cause and Effect,' 1966, this silicone bracelet features a never-ending phrase by the artist, 'LOVE CAUSES FRICTION / FRICTION CAUSES HEAT / HEAT CAUSES PAIN / PAIN CAUSES TENDERNESS / TENDERNESS CAUSES LOVE. ... [details]
Artist multiple "Inspired by Mel Bochner's work 'Cause and Effect,' 1966, this silicone bracelet features a never-ending phrase by the artist, 'LOVE CAUSES FRICTION / FRICTION CAUSES HEAT / HEAT CAUSES PAIN / PAIN CAUSES TENDERNESS / TENDERNESS CAUSES LOVE. ... [details]
Exhibition catalogue published in conjunction with show held at M-Museum Leuven, Belgium, June 21 - October 14, 2012. Traveled to Centre Pompidou-Metz, France, March 7, 2012 - July 29, 2013. Text by Sol LeWitt, Susanna Singer, John Hogan, Béatrice Gross, Lucy Lippard, Rosalind Krauss, Mel Bochner, Dan Graham, Robert Smithson. ... [details]
Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca' Corner della Regina, Venice, Italy, June 1 – November 3, 2013. Exhibition was based on the original 1969 show—"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"—held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]