objects: 15
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Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.9 cm.
  • 142 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 24, No. 1 (September 1985)

Ingrid Sischy, Germano Celant, Herbert Muschamp, William Wilson, Carter Ratcliff, Glenn O'Brien, Martin Parr, Greil Marcus, Frederic Tuten, Donald Kuspit, Max Wechsler, Shigeo Anzai, Kate Linker, Jean Fisher, Charles Hagen, Italo Calvino, Glen Baxter, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, Thomas McEvilley, Patricia C. Phillips, John Howell, Ida Panicelli, Ed Hill, Suzanne Bloom, Susan C. Larsen, Melinda Wortz, Stuart Morgan, Denys Zacharopoulos, Alexandra Anderson, Gloria Moure, Aurora Garcia, Annelie Pohlen, Steven Henry Madoff, Giuseppe Penone

Issue edited by Ingrid Sischy. Essays "On Location: Sculpture and Painting in Emilio Vedova's Studio in Venice," by Germano Celant; "Ground Up: Architecture without Architecture Critics: Ideal for the Architects," by Herbert Muschamp; "Turned Out: Richard Avedon, Sam Shepard, Joan Didion, and the Pull of the American West," by William Wilson; "Modern Life: Utopianism become Survialism - the Quantum Mechanics of Body-Building, in the West and in the East," by Carter Ratcliff; "Like Art: The New Ads and their Gift of Art. ... [details]

New York, NY: Artforum,
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Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.9 cm.
  • 138 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 29, No. 2 (October 1985)

Ingrid Sischy, Thomas McEvilley, Glenn O'Brien, William Wilson, Carter Ratcliff, Herbert Muschamp, Wolfram Schutte, Greil Marcus, Donald Kuspit, Germano Celant, Denys Zacharopoulos, Susan Freudenheim, J. Hoberman, Judith Russi Kirshner, Antoni Tapies, Lisa Liebmann, Cinzia Ruggeri, Jean Fisher, John Howell, Ronny Cohen, Charles Hagen, Patricia C. Phillips, Jeanne Silverthorne, Suzaan Boettger, Scott MacDonald, Stuart Morgan, Annelie Pohlen, Ingrid Rein, Lars Nittve, Paul Groot, Alexandra Anderson, Aurora Garcia, Gloria Moure, Stephen McKenna

Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]

New York, NY: Artforum,
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out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.9 cm.
  • 126 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 24, No. 3 (November 1985)

Ingrid Sischy, Amy Baker Sandback, Herbert Muschamp, Barbara Kruger, Carter Ratcliff, Greil Marcus, Glenn O'Brien, Carrie Rickey, Wolfram Schutte, Jeff Kelley, Germano Celant, Ingrid Rein, Joseph Giovannini, Carlo McCormick, Thomas McEvilley, Lisa Licitra Ponti, Ida Panicelli, Donald Kuspit, Eva Sperling Cockcroft, Patricia C. Phillips, Jeanne Silverthorne, John Howell, Charles Hagen, Ronny Cohen, John Yau, Suzaan Boettger, Bill Berkson, Linda Burnham, Colin Gardner, Ken Baker, Pier Luigi Tazzi, Max Wechsler, Denys Zacharopoulos, Annelie Pohlen, Paul Groot, Stuart Morgan, Michael Newman, Alexandra Anderson, Bridget Riley

Issue edited by Ingrid Sischy. Essays "On Location. Robert Ryman's Studio: A Wall of Reminders," by Amy Baker Sandback; "Ground Up. Science Fiction, Westerns, Odysseys, Romance, Head-Lines, Obits: Narrative Architects Design the City as it Lives, Stories on Top of Stories, A Plot on Every Plot," by Herbert Muschamp; "Remote Control: Television, the Permanent Guest - We'll Be Right Back," by Barbara Kruger; "Modern Life. ... [details]

New York, NY: Artforum,
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out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.9 cm.
  • 108 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 24, No. 4 (December 1985)

Ingrid Sischy, Thomas McEvilley, Wolfram Schutte, Herbert Muschamp, Seigow Matsuoka, Carter Ratcliff, Glenn O'Brien, Shinichiro Kurimoto, Greil Marcus, Kenneth Baker, Annelie Pohlen, Sergio Polano, Pierpaulo Vetta, Patricia C. Phillips, Germano Celant, John Yau, Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, Amy Baker Sandback, Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, M.P.L. Green

Issue edited by Ingrid Sischy. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. ... [details]

New York, NY: Artforum,
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out of stock
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  • critical theory
  • paper boards with dust jacket
  • offset-printed
  • sewn bound
  • black-and-white
  • 21.5 x 16 cm.
  • 221 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 670332216

The Documents of 20th-Century Art : Functions of Painting

Fernand Léger, Robert Motherwell, Edward F. Fry, George K.K. Morris, Alexandra Anderson, Bernard Karpel

"Throughout the more than fifty years of his prolific career, Fernand Léger, one of the most influential of twentieth-century painters, wrote enthusiastic, lucid essays to explain his theories about the purposes of art, which he believed had an important role to play in modern life - not as decoration but as an embodiment of the modern spirit on all levels of society. ... [details]

out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
objects: 15