Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]
Issue edited by John Coplans. Essays "Photography: The Coming to Age of Color," by Max Kozloff; "On the Invention of Photographic Meaning," by Alan Sekula; "DeKooning: Criticism and Art History," by Lawrence Alloway; "Richard Pousette-Dart: Toward an Invisible Center," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Peter and the Pressure Cooker, " by Peter Plagens; "On the Nature of Pop," by Carl R. Baldwin; "Abstract Expressionism, Weapon of the Cold War," by Eva Cockcroft," New Japanese Photography," by Max Kozloff; "Video Art: Old Wine, New Bottle," by Allan Kaprow; "Painting Becomes Cyclorama," by Rosalind Krauss; "Malevich's Quest for Unconditioned Creativity, Part I," by Donald Kuspit; "Mel Bochner on Malevich, an Interview," by John Coplans. ... [details]
Issue edited by John Coplans. Essays "Ilya Bolotowsky at the Guggenheim," by Roberta Smith; "Beyond Reductivism: The Work of Alan Sondheim," by Robert Joseph Horvitz; "Rauschenberg and the Materialized IImage," by Rosalind Krauss; "Traversing the Field. ... [details]
Issue edited by John Coplans. Essays "Brice Marden's Painting," by Jeremy Gilbert-Rolfe; "Incisions in History/Segments of Eternity," by Hollis Frampton; "Talking With William Rubin: 'The Museum Concept Is Not Infinitely Expandable;'" "Mondrian the New Yorker," by Joseph Masheck; "Leon Golub: Art and Politics," by Lawrence Alloway; "Jean Dupuy," by Alan Moore; "Reviews," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part One: Inside Information," by Lawrence Alloway; "Robert Mangold: An Interview," by Rosalind Krauss; "Robert Mangold: A Humanist Geometry," by Joseph Masheck; "The New Dialectic," by Lizzie Borden; "Vija Clemins," by Max Kozloff; "'Charlie was Like That,'" by Kermit Champa; "Joe Sarno, The Dismemberer," by Marshall Blonsky; "John White," by Peter Plagens; "Book Review," by Carl Baldwin. ... [details]
Issue edited by John Coplans. Essays "Yvonne Rainer, Part Two: 'Lives of Performers'," by Annette Michelson; "Microcosm to Macrocosm / Fantasy World to Real World," by Charles Simonds; "Maria Nordman," by Peter Plagens; "'Dada': a Code for Saints?," by John Elderfield; "Art and Art and Language," by Terry Smith; "Victor Burgin: Language and Perception," by Roelof Louw; "Jackie Winsor," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Malevich as a Counterrevolutionary (East and West)," by Max Kozloff; "The Object Perceived / the Object Apprehended," by Susan Tower; "The View from the 20th Century," by Lawrence Alloway; "A Phenomenological Approach to Artistic Intention," by Donald B. ... [details]
Issue edited by John Coplans. Essays "Virility and Domination in Early 20th-Century Vanguard Painting," by Carol Duncan; "Strike at the Modern," interview between Lawrence Alloway, John Coplans, Susan Bertram, Jennifer Licht, Joan Rabenau, Jane Fluegel; "Ree Morton: At the Still Point of the Turning World," by Lucy Lippard; "The Dada Actor and Performance Theory," by Annabelle Henkin Melzer; "Richard Hamilton: The Two Culture Theory," by James Collins; "Lee Krasner's Paintings, 1946-49," by Cindy Nemser; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
Issue edited by John Coplans. Essays "Robert Witz: Selections from the Tomah Letters," by Robert Witz; "Before What Flowering? Thoughts on West Coast Art," by Peter Plagens; "Sound-Script Relations and the New Notation," by Annson Kenney; "Private Objects: The Sculpture of Kurt Schwitters," by John Elderfield; "Murals in New Mexico," by Eric Kroll; "The Jules Olitski Retrospective," by Joseph Masheck; "Biography of a Teaching Machine," by Craig Hodgetts; "On Daniel Buren," by Roberta Smith; "Function of the Museum," by Daniel Buren; "A Retrospective of Anthropological Film," by Paul S. ... [details]
