Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part II," by Albert Elsen; "Serial Imagery," by John Coplans; "Edward Hopper," by Jerrold Lanes; "John D. Graham," by Irving Sandler; "A Reconstituted Diary, Greece, 1967," by Lucas Samaras; "The Films of Jean-Luc Godard," by Manny Farber; "New Paintings by Darby Bannard," by Kermit Champa. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Martisse, Part I," by Albert Elsen; "Systems Esthetics," by Jack W. Burnham; "New Work by Robert Murray," by Jane Harrison Cone; "Douglas Wheeler: Light Paintings," by John Coplans; "Degas Monotypes at Harvard," by Jerrold Lanes; "A Sedimentation of the Mind: Earth Proprosals," by Robert Smithson; "Ideal interlude: The Salons de la Rose-Croix," by Robert Pincus-Witten; "Looking at Canadian Art," by Terry Fenton. ... [details]
Issue edited by Philip Leider. Essays "Dada, Surrealism and their Heritage," "1. A Beautiful Exhibition," by Philip Leider; "2. The Surrealist Emigres in New York," by Irving Sandler; "3. Surrealist Composition: Surprise Syntax," by Ellen Mandelbaum; "Judd at the Whitney," by Jane Harrison Cone; "On Frontality," by Rosalind E. ... [details]
Issue edited by Philip Leider. Essays "Disaster in Pasadena," by Abraham Rogatnick; "...on an American artist's education," by Dan Flavin; "Recent British Paintings at the Tate," by Kermit Champa; "Lee Krasner," by Emily Wasserman; "Some New Los Angeles Artists," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Two Contributions to the Art and Science Muddle: 1. Constructivism and its Confusions," by Terry Fenton; "2. A Report on a Symposium," by Grace Marmor Spruch; "Late Fifties at the Ferus," by Billy Al Bengston; "Charles Sheeler, American Pastoral," by Hilton Kramer; "Edward Avedisian's New Paintings," by Alexandra C. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
Issue edited by Philip Leider. Essays "Brancusi and the Myth of Ideal Form," by Rosalind E. Krauss; "Notes on American Painting of the Sixties," by Walter Darby Bannard; "Tantric Art," by Emily Wasserman; "An Interview with Chuck Close," by Cindy Nemser; "The Iconography of Symbolist Art," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "The Graphic Work of Jasper Johns," by Barbara Rose; "The Bauhaus Show in Toronto," by Robert Welsh; "The Early Work of Andy Warhol," by John Coplans; "Color Painting and the Map Problem," by Walter Darby Bannard; "Alan Saret's Studio Exhibition," by Emily Wasserman; "A Robert Morris Retrospective in Detroit," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Les Levine: Business as Usual," by Jack Burnham; "Abstraction and Literalism: Reflections on Stella at the Modern," by Philip Leider; "An Ilya Bolotowsky Retrospective Travels the West," by Knute Stiles; "Clyfford Still and the Gothic Imagination," by Patrick McCaughey; "Some Notes on the Phenomenology of Making," by Robert Morris; "An Interview with Robert Rohm," by Ralph Pomeroy; "The Year 1200 at the Metropolitan," by William W. ... [details]
Issue edited by Philip Leider. Essays "Die Brücke at Cornell," by Reinhold A. Heller; "Morris Louis: Unfurleds and Omegas," by Kenworth Moffett; "A Synthesis," by Alan Saret; "Geometric Abstract Painting and Paris in the Thirties, Part I," by John Elderfield; "An Interview with Eva Hesse," by Cindy Nemser; "Paolo Soleri," by Donald Wall; "Excerpts from Speculation (1967-1970)," by Mel Bochner. ... [details]
