Monograph on the artwork of Marjorie Welish, Edited by Aaron Levy and Jean-Michel Rabaté. Introduction by Aaron Levy. Additional texts by Kenneth Baker, Norma Cole, Carla Harryman, Gans & Jelacic Architecture and Design, Olivier Gourvil, Ron Janssen, Joseph Masheck, Bob Perelman, Frances Richard, Osvaldo Romberg, Keith Tuma, Chris Tysh, and Thomas Zummer. ... [details]
A critical anthology on Super Realism edited by Gregory Battcock. Essays "The Real Thing," by Gerrit Henry; "Rent is the Only Reality, or the Hotel Instead of the Hymns," by Ivan Karp; "The Deductive Image," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "William Klein and the Radioactive Fifties," by Max Kozloff; "Tattoo: the State of the Art," by Marcia Tucker; "Pressing On: Thomas Nozkowski's Paintings," by Joseph Masheck; "Leon Golub's Murals of Mercenaries: Aggression, 'Ressentiment,' and the Artist's Will to Power," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "An Imprint Is Never Alone," by René Denizot; "Architecture and Limits: Introduction," by Bernard Tschumi, "The Writing of the Walls," a project by Anthony Vidler, and "Masque," a project by John Hejduk; "The 18th New York Film Festival," by J. ... [details]
November 1979 issue of Artforum, edited by Joseph Masheck. Contents include: "Sean Scully's Absolute Paintings," by Sam Hunter; "Joseph Glasco: Painting Under Construction," by Vered Lieb; "Jene Highstein: A Full Roundness," by Ted Castle; "Nothing/Not Nothing/Something," by Joseph Masheck; "Ideas and Earth," by David Shapiro; "Jackie Ferrara's Il-lusions," by Kate Linker; "A Tournament of Rose's," by Hal Foster; "Books: 'The Decorative Designs of Frank Lloyd Wright," by Alice van Buren. ... [details]
Issue edited by Joseph Masheck. Essay "Philip Johnson and History," by Richard Pommer; "Fashion / Style / Custom: Alan Cote and David Diao," by Carrie Rickey; "Cecile Abish: Building from the Ground Up," by Jeffrey Keeffe; "Composite Imagery and the Origins of Photmontage, Part II: The Formalist Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essay "Alexander Rodchenko: The Simple and the Commonplace," by Hugh Adams; "The Photomontages of José Renau," by Carole Naggar; "Franz Kline's Color Abstractions: Remembering and Looking Afresh," by Budd Hopkins; "Michael Goldberg's New Paintings," by John Johnston; "Angela Jansen, Printmaker," by Francine Tyler; "Seven Artists of Israel," by Steven Kasher; "Oliver Lee Jackson: Forms that Feeling Takes," by Regina Hackett; "Planar Constructions and the Planar Dimension," by Erik Saxon; "Books: 'The Third Mind,'" by Nicolas Calas. ... [details]
Issue edited by Joseph Masheck. Essays "'Martin Puryear's Sculpture," by Jonathan Crary; "Monument - Sculpture - Earthwork," by Nancy Foote; "Cosmetic Transcendentalism: Surface-Light in John Torreano, Rodney Ripps and Lynda Benglis," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essays by "Five Unpublished Letters from Ad Reinhardt to Thomas Merton and Two in Return"; "Illusive Spaces: The Art of Mary Miss," by Ronald J. Onorato; "Lucio Pozzi: From the Particular to the General," by Tiffany Bell; "Malevich and Khlebnikov: Suprematism Reinterpreted," by Rainer Crone; "Matisse the Representational Artist," by Jeremy Gilbert-Rolfe; "Four British Painters," by John McEwen; "Coming to Terms with the 'Treasures of Mexico,'" by Barbara Bloom; "Some Nice Books," by Joseph Masheck. ... [details]
