Issue edited by Jack Bankowsky. Essays "Glamour Wounds: Rhonda Lieberman on The Way We Are," by Rhonda Lieberman; "Democracy, Inc.: Diedrich Diederichsen and Jutta Koether on Springtime for Hitler," by Diedrich Diederichsen; "Press: Tina Lyons on Martha Stewart," by Tina Lyons; "Special Effects: Carol Squiers on the New Penile Code," by Carol Squiers; "Books: Beth Coleman on Bell Hook's 'Black Looks,'" by Beth Coleman; "Maurice Berger on Richard Bolton's 'Culture Wars,'" by Maurice Berger; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Hi-Yo Silver: Cady Noland's America," by Lane Relyea; "Soul City: An Interview with Alan Rudolph," by Rosetta Brooks; "Philip-Lorca diCorcia: Five Nights of a Dreamer," by Gary Indiana; "A Riddle Wrapped in a Mystery inside an Enigma: The Art of S. ... [details]
Issue edited by Jack Bankowsky. Essays "Glamour Wounds: Rhonda Lieberman on The Jew Beat, Again," by Rhonda Lieberman; "Music: David Rimanelli and Tina Lyons on New Wave," by David Rimanelli and Tina Lyon; "Media Kids: Anne Marlowe on Rock at Princeton," by Ann Marlowe; "Exits and Entrances: Jeanne Silverthorne on David Mamets Oleanna," by Jeanne Silverthorne; "Film: Manohla Dargis on Gillian Armstrong's 'Last Days of Chez Nous,'" by Manohla Dargis; "Books: Gary Kamiya on James Miller's 'Passion of Michel Foucault,'" by Gary Kamiya; "Museum Piece: Thomas McEvilley on 'Exhibiting Cultures' and 'Museums and Communities,'" by Thomas McEvilley; "Eugenio Dittborn: Return to Sender," by Dan Cameron; "Half-Life: A Project for Artforum," by Nick Waplington with text by Jayne Anne Phillips; "Malice toward Nuns," Manohla Dargis talks with Abel Ferrara; "Luis Gordillo's Anxious Biology," by Lisa Liebmann; "You and I: The Art of Ketty La Rocca," by Judith Russi Kirshner; "The Sublime Theorist of Slovenia," Peter Canning interviews Slavoj Žižek; "Openings: Chris Isner," by Daniela Salvioni. ... [details]
Issue edited by Jack Bankowsky. Essays "Q & A: David Colman on Cybersalons," by David Colman; "Books: Andrew Hultkrans on Mark Leyner's Hyper Text," by Andrew Hultkrans; "Brian Massumi on Nicholas Negroponte's 'Being Digital,' Michael Hammer and James Champy's 'Reengineering the Corporation,' Emily Martin's 'Flexible Bodies,' and John Naisbitt's 'Global Paradox,'" by Brian Massumi; "Books: R. ... [details]
A two volume catalogue for Documenta III, held June 27 - October 5, 1964. Volume 1 focuses on sculpture and painting. Essay's by Werner Haftmann and Arnold Bode. Artists include Jean Arp, Willi Baumeister, Jean Bazaine, Max Beckmann, Joseph Beuys, Julius Bissier, Pierre Bonnard, Georges Braque, Marc Chagall, Emil Cimiotti, Constant, Lovis Corinth, André Derain, Jean Dubuffet, Max Ernst, Joseph Fassbinder, Alberto Giacometti, Julio Gonzalez, Hans Hartung, Wolfgang Hollegha, Asger Jorn, Wassily Kandinsky, Ernst Ludwig Kirchner, R. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]
Exhibition catalogue published in conjunction with show held September 7 - November 4, 1990, Duke University, Durham, North Carolina. Traveled December 4, 1990 - January 27, 1991, J.B. Speed Art Museum of Fine Arts, Massachusetts; March 3 - May 19, 1991, Springfield Museum of Fine Arts, Massachusetts; June 8 - August 4, 1991, San Diego Museum of Contemporary Art, Caligornia; September 28 - November 17, 1991, Memorial Art Gallery of the University of Rochester, New York. ... [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
"This book consists of pictures and essays : pictures of one hundred modern drawings, broadly defined as works on paper, in The Museum of Modern Art, New York; and essays on the subject of each of these drawings and, collectively, of the modern drawing itself and its place in modern art. ... [details]