Exhibition catalogue published in conjunction with show held January 26 - May 10, 2020. Curated and with an introduction by Constance M. Lewallen and Ted Mann. Additional texts by Gwen L. Allen, Sarah Lehrer-Graiwer and Lawrence Rinder. ... [details]
Steven Leiber was a genius, and this book - full of years of meticulous research and study - proves it. Packed full of ephemera by 100s of artists, Leiber catalogues, documents and stories the path this printed matter, often casually regarded as discarded matter [or discardable matter]. ... [details]
Exhibition catalogue in the form of a set of 30 loose index cards, printed on recto / verso, published in conjunction with show held at California Institute of the Arts. Traveled to Wadsworth Atheneum, Hartford, CT ; Moore College of Art, Philadelphia, PA ; Institute of Contemporary Art, Boston, MA ; Walker Art Center, Minneapolis, MN ; Smith College Museum of Art, Northampton, MA. ... [details]
Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
Exhibition catalogue published in conjunction with show held October 29 - December 1, 1990. Essay by Joan Hugo. Includes exhibition checklist, artist's biography, selected group exhibitions. [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essays "Minimalism and Critical Response," by Phyllis Tuchman; "Clyfford Still: The Ethics of Art," by Donald B. Kuspit; "Notes on Narrative and History Painting," by Sidney Tillim; "On George Segal's Reliefs," by Leo Rubinfien; "Snelson and Structure," by Deborah Perlberg; "Garry Kennedy: Painting Painting Itself," by Eric Cameron; "Shape and Form in Ron Gorchov's Painting," by Morris Kearse; "Ensor in His Milieu," by Diane Lesko. ... [details]
Issue edited by Joseph Masheck. Essays "Magic of the Possible: Five California Artists," by Peter Clothier; "Sun Tunnels," by Nancy Holt; "In Pursuit of Acconci," by Edward Levine; "Troubles With British Art Now," by Peter Fuller; "James Collins' Double Portraits," by Margaret Sheffield; "Flavin 'According to His Lights,'" by Ross Skoggard; "Surrealism and New York Painting 1940-1948: A Reminiscence," by John Bernard Myers; "A Note on Surrealism and the Beat Generation," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "American Women Architects," by John Lobell; "'Words': When Art Takes a Rest," by Jeff Perrone; "The Icon and Russian Modernism," by Margaret Betz; "Donald Judd: Past Theory," by Kenneth Baker; "Terry Fox Meanders," by Knute Stiles; "Outerbridge from Cubism to Fetishism," by Graham Howe; "Cruciformality," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]