Perhaps one of the most revered artists' publications of the 1960s, the "Xerox Book," published by dealers Siegelaub and Wendler is a xerox book in name only. Conceived by Siegelaub as an inexpensive artist's publication - each artist was afforded twenty-five pages [plus a cover / title page] to execute a site-specific project for the publication. ... [details]
Card featuring a geometric image with text beneath that reads "ZAJ IS BIGGER THAN LIFE." Verso text reads "CARL ANDRE / düsseldorf, 1968." [details]
Catalogue for Nauman's first solo exhibition in New York held January 27 - February 17, 1968. Introduction by David Whitney. Incorporates reproductions of 44 works dated 1965 - 1967, inclusive of works "Storage Capsule for the Right Rear Quarter of My Body," 1966 ; "Neon Templates of the Left Half of my Body Taken at Ten Inch Intervals," 1966 ; "Impressions of the Knees of Five Famous Artists," 1966 ; "Lead Tree Plaque," 1966 ; "Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists," 1966 ; "From Hand to Mouth," 1967 ; "Henry Moore Bound to Fail," 1967 ; "Composite Photo of My Name as Though it Were Written on the Surface of the Moon," 1967 ; "Henry Moore Trap #1," 1967 ; "Window or Wall Sign," 1967 [aka : "The True Artist Helps the World by Revealing Mystic Truths"] and other works. [details]
8mm color film by Stan Brakhage of soft-core "lovemaking." [details]
Documents from "The Store," (1961) and "Ray Gun Theater," (1962) selected by Claes Oldenburg and Emmett Williams. Photographs by Robert R. McElroy. "Store Days is the remainings of the most significant monument of early 60's New York art - the events, theories, works and situations surrounding Claes Oldenburg's Store, which was on the one hand a real place where real sales were made, and on the other a set of ideas whose reverberations are still being felt. ... [details]
Unfolded Sheet for Roy Lichtenstein's "Folded Hat" multiple featuring a geometric abstract pattern in blue, white, yellow, and red, produced as part of Issue No. 4 of S.M.S. [ aka : SMS / aka : Shit Must Stop ]. [details]
Sixteen fold exhibition announcement poster published in conjunction with show held September 12 - October 4, 1968. Text is in micro capitalized red text at the center of the poster. Verso has printed return address. ... [details]
Issue number 1 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with original contributions by Vito Acconci, Jack Anderson, Corrado Augias, André Du Bouchet, Robert David Cohen, Stanley Cooperman, Gail Deeb, Lane Dunlop, Dan Graham, Allan Kaplan, Steve Katx, Ursule Molinaro, Miodrag Pavlovic, Tony Perniciaro, John Perreault, Carter Ratcliff, Erling Salmonsen, George Schneeman, Ron Padgett, Hugh Seidman, Stephen Stepanchev, Hannah Weiner, Pete Winslow, and Student Graffiti (France). [details]
Inaugural issue of Screw magazine, edited by Al Goldstein. Contents include: "Diary of a Sex Addict," by Richard Field; "Sex in Never-Never Land: Does Barbarella Suck??" by Miss J.S. Wieder; "A Licker Flik: Larry Josephson and Bob Fass Listen to W. ... [details]
Single sheet of wallpaper, printed on lightweight paper, utilizing two stacked images of Yoko Ono's ass. Planned and announced in Fluxusnewpaper, January 31, 1968, and originally credited in collaboration with Ben Vautier and later Robert Watts. ... [details]