Exhibition catalogue published in conjunction with "The Paper Sculpture Show" at Sculpture Center, Long Island City, New York, September 7 - December 7, 2003. Texts by Francis Richard, foreword by exhibition curators Mary Ceruti, Matt Freedman, and Sina Najafi. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
"In 'Conceptual Art and Painting,' Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of 'neo-Conceptual Art.' The essays are written from the point of view of Art & Language, the artistic movement based in England - and briefly in the United States - with which Harrison has been associated since 1970. ... [details]
Issue edited by Philip Leider. Essays "American Sculpture at the Los Angeles County Museum," by Philip Leider; "Art Objecthood," by Michael Fried; "Notes on Sculpture, Part 3," by Robert Morris; "Claes Oldenburg's Soft Machines," by Barbara Rose; "Towards the Development of an Air Terminal Site," by Robert Smithson; "Mark di Suvero," by Max Kozloff; "Richard A. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part IV," by Albert Elsen; "Phillip King, Sculpture, 1960-1968; by Charles Harrison; "Canada's Arthur McKay," by Terry Fenton; "Earthworks and the New Picturesque," by Sidney Tillim; "The Micro-Paintings of Gene Davis," by Donald Wall; "Kensett at the Whitney," by Jerrold Lanes. ... [details]
Issue edited by Philip Leider. Essays "Allan Hacklin, David Diao, Donald Kaufman," by Emily Wasserman; "The Sculpture of Roland Brener," by Charles Harrison; "Recent Work by Kenneth Noland," by Michael Fried; "Hans Hoffmann," by Darby Bannard; "A Variety of Realisms," by Sidney Tillim; "The Earlier Work of Ellsworth Kelly," by John Coplans. ... [details]
"When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, "When Attitudes Become Form" at London''''s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired "plain English": Harrison''''s influence on the British art scene cannot be overestimated. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
Catalogue for exhibition at the Musée d'Art Moderne de la Ville de Paris, Paris, France, November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio and Seth Siegelaub. ... [details]
Critical theory publication edited by Christian Rattemeyer. Texts by Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso Trini, Claudia Di Lecce, Steven ten Thije. Introduction by Teresa Gleadowe. "Afterall Books' new Exhibition Histories series responds to an increased interest in exhibition history with its inaugural volume on two of the most famous exhibitions of the 1960s: Wim Beeren's 'Op Losse Schroeven' (Stedelijk Museum, 1969) and Harald Szeemann's 'Live in Your Head : When Attitudes Become Form' (Kunsthalle Berne, also 1969). ... [details]