Single-sided poster poking fun at how galleries in 1989 presented fewer women artists by percent than jobs such as bus driver, sales persons, managers, or mail carries held. On other hand women artists did better than truck drivers and welders.
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Issue edited by Ida Panicelli. Essays "Troubleeshooters: C. Carr on Trying Times," by C. Carr; "Remote Control: Barbara Kruger on Courtroom Drama," by Barbara Kruger; "Democracy, Inc.: Our Beating Hearts, A Project for Artforum," by Karen Finley; "Undertone: Miriam Rosen on Ari," by Miriam Rosen; "Commedia Dell'Arte: The Art Deal, A Project for Artforum," by Lynda Barry; "Books: John Miller on 'Notes on the Underground,'" by John Miller; "Believe it or Not: J.
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A quarterly feminist publication on art and politics. Issue edited by the Main Collective: Emma Amos, Kathie Brown, Josely Carvalho, Pennelope Goodfriend, Elizabeth Hess, Avis Lang, Lucy R. Lippard, Robin Michals, Sabra Moore, and Faith Wilding.
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"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre.
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Artist's book in the form of a board book by Guerrilla Girls outlining the history of Hysteria throughout the ages with text and illustrations.
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