Issue edited by John Coplans. Essays "Virility and Domination in Early 20th-Century Vanguard Painting," by Carol Duncan; "Strike at the Modern," interview between Lawrence Alloway, John Coplans, Susan Bertram, Jennifer Licht, Joan Rabenau, Jane Fluegel; "Ree Morton: At the Still Point of the Turning World," by Lucy Lippard; "The Dada Actor and Performance Theory," by Annabelle Henkin Melzer; "Richard Hamilton: The Two Culture Theory," by James Collins; "Lee Krasner's Paintings, 1946-49," by Cindy Nemser; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
Issue edited by John Coplans. Essays "Robert Witz: Selections from the Tomah Letters," by Robert Witz; "Before What Flowering? Thoughts on West Coast Art," by Peter Plagens; "Sound-Script Relations and the New Notation," by Annson Kenney; "Private Objects: The Sculpture of Kurt Schwitters," by John Elderfield; "Murals in New Mexico," by Eric Kroll; "The Jules Olitski Retrospective," by Joseph Masheck; "Biography of a Teaching Machine," by Craig Hodgetts; "On Daniel Buren," by Roberta Smith; "Function of the Museum," by Daniel Buren; "A Retrospective of Anthropological Film," by Paul S. ... [details]
Issue edited by John Coplans. Essays "Things and Theories," by James Collins; "Max Ernst: Speculations Provoked by an Exhibition," by Rosalind Krauss; "Gerald Hayes: The Creativity of the Psychological Eye," by Virginia Gunter; "American Painting During the Cold War," by Max Kozloff; "No/Yes on the West Coast," by Peter Plagens; Meredith Monk: "An Introduction," by Angela Westwater; "A Metamorphic Theater," by Mark Berger; "Love and Death in Picasso's Early Work," by Theodore Reff; "Book Review," by Carol Duncan. ... [details]
Issue edited by John Coplans. Essays "Donald Burgy: Participating in the Universe," by Robert J. Horvitz; "Three Swiss Painters," by Robert Pincus-Witten; "On Giacommetti," by Andrew Forge; "Robert Morris: the Complication of Exhaustion," by Jeremy Gilbert-Rolfe; "Jean Vigo's 'Taris'," by Bill Simon; "The Provincialism Problem," by Terry Smith; "Judy Chicago, Talking to Lucy R. ... [details]
Issue edited by John Coplans. Essays "Rays of Hope, Particles of Doubt," by Peter Plagens; "The Birth of de Stijl, Part Two: Bart van der Leck," by Rudolf W. Oxenaar; "Hans Haacke's Gallery Visitors' Profile," by Hans Haacke and Bruce Boice; "Rose Hobart and Monsieur Phot: Early Films from Utopia Parkway," by Annette Michelson; "The Uncanny Portrait: Sander, Arbus, Samaras," by Max Kozloff; "Seeing Stella," by Louis Finkelstein; "Notes on Batya Zamir," by Lucinda Childs; "Book Review," by Mel Bochner. ... [details]
Boxed reprint of the original periodical "Salon," a magazine with original contributions by contemporary artists. Published originally in 12 issues between April 1977 and October 1983. Edited by Gerhard Theewen. ... [details]
Exhibition catalogue published in conjunction with show held June 4 - July 18, 1981. Text by Tracia Collins and Richard Milazzo. Includes artists Ross Bleckner, James Welling, Joel Otterson, Allan McCollum, Gary Stephan, Joel Fisher, Saint Clair Cemin, Ti Shan Hsu, Abraham David Christian, Suzan Etkin. ... [details]
Second edition of the exhibition catalogue originally published in conjunction with a show of artists' books held at Nigel Greenwood Inc. Ltd., London, September 20 - October 14, 1972. Extensive essay by Celant. ... [details]
A collection of essays that examine the role that art and architecture play in shaping the public perception of scientific knowledge. Contributers include:Peter Galison, Paula Findlen, William R. Newman, Pamela O. ... [details]
Exhibition catalogue published in conjunction with show held March 27 – August 2, 2009. Edited by Anne Collins Goodyear and James W. McManus, foreword by Martin E. Sullivan.
"One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him.
...
[details]