Issue edited by Philip Leider. Essays "Jackson Pollock and the Modern Tradition," by William Rubin; "Kandinsky's Paintings on Glass," by Rose-Carol Washton; "Nine Evenings of Theater and Engineering, 1. ... [details]
Issue edited by Philip Leider. Essays "Surprise, Invention in the Sculpture of Picasso," by Albert Elsen; "Thek's Tomb," by Robert Pincus-Witten; "Jasper Johns: Colors, Maps, Devices," by Max Kozloff; "Robert Hudson," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "The Art of H.C. Westermann," by Dennis Adrian; "The Constructivist Ethos, Part I," by Ronald Hunt; "New Paintings by Albert Stadler," by Kermit Champa; "Chuck Ginnever," by Lawrence Alloway; "Problems of Criticism, I: Varieties of Critical Experience," by Robert Goldwater; "Morandi: A Critical Note and a Memoir," by Sidney Tillim; "The Trouble with Russian Painting," by Robert Pincus-Witten; "Bruce Conner Makes a Sandwich," by Bruce Conner. ... [details]
Issue edited by Philip Leider. Essays "Walker Evans: Photography as Representation," by Sidney Tillim; "Brancusi," by Sidney Geist; "Ronald Bladen's 'Black Triangle,'" by Lucy Lippard; "Jackson Pollock and the Modern Tradition, Part II,'" by William Rubin; "Medieval Manuscripts at Berkeley," by Palmer D. ... [details]
Issue edited by Philip Leider. Essays "Ancient Egyptian Art at the Lowie Museum," by Palmer D. French; "The New Monuments and Entropy," by Robert Smithson; "A Preview of the 1966 Venice Biennale," by Henry Geldzahler; "Gabo at the Tate," by Andrew Forge; "WPA Art in Maryland," by Elisabeth Steven. ... [details]
Issue edited by Philip Leider. Essays "Lichtenstein, Oldenburg, Warhol: A Discussion," moderated by Bruce Glaser; "Deborah Remington's New Work," by Knute Stile; "Jugendstil," by Palmer French; "5 Los Angeles Sculptors," by John Coplans; "New Work," by Charles Mattox; "Four Drawings," by Ellsworth Kelly; "Notes on Sculpture," by Robert Morris. ... [details]
Issue edited by Philip Leider. Essays "Two Contributions to the Art and Science Muddle: 1. Constructivism and its Confusions," by Terry Fenton; "2. A Report on a Symposium," by Grace Marmor Spruch; "Late Fifties at the Ferus," by Billy Al Bengston; "Charles Sheeler, American Pastoral," by Hilton Kramer; "Edward Avedisian's New Paintings," by Alexandra C. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
Issue edited by Philip Leider. Essays "Brancusi and the Myth of Ideal Form," by Rosalind E. Krauss; "Notes on American Painting of the Sixties," by Walter Darby Bannard; "Tantric Art," by Emily Wasserman; "An Interview with Chuck Close," by Cindy Nemser; "The Iconography of Symbolist Art," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "The Graphic Work of Jasper Johns," by Barbara Rose; "The Bauhaus Show in Toronto," by Robert Welsh; "The Early Work of Andy Warhol," by John Coplans; "Color Painting and the Map Problem," by Walter Darby Bannard; "Alan Saret's Studio Exhibition," by Emily Wasserman; "A Robert Morris Retrospective in Detroit," by Jack Burnham. ... [details]