Edited by Dan Howard. Essays "Proposal," by Dan Howard; "Introduction," by Dan Howard; "Autorevetment," by Lloyd Hamrol; "The Power of Art," by Peter Krasnow; "Untitled," by Walter Gabrielson; "Why Have There Been No Great Los Angeles Artists?," by Clark Polak; "Untitled," by Tom Wudl; "True Confessions," by Michael McMillen; "Surprise Hotel," by Carole Caroompas; "Nite Out With The Boys," by Stuart Rapeport; "Untitled," by Karen Carson; "Direct Experience Into Art Experience," by John White; "Untitled," by Don Giffin; "An Interview with Jean St. ... [details]
Edited by Mary Kenon Breazeale and cover art by Ben Adams. Essays "The Forest Lawn Aesthetic: a Reappraisal," by Barbara Rubin; "SCI ARC: An Architectural Program in Progress," by Dolores Yonkers; "The Pre-Columbian Influence on Architecture in Southern California," by Annette Angel; "Los Angeles in Film," by Margaret Lesser Bach; "Public Art as Identity Reinforcement: an Interview with Lloyd Hamrol," by Ruth Iskin; "Gallery Rudiments," by Peter Goulds; "Integrity of the Phenomenon: the Magic Worlds of Larry Albright and Roland Reiss," by Judith Crook; "The Tournament of Roses: Two Float Designers," by Hollis Clayson. [details]
Edited by Julius Kaplan and cover designed by John McLaughlin. Essays "Introduction," by Julius Kaplan; "The Painting of John McLaughlin," by Donald F. McCallum; "New Deal Murals in Los Angeles: Federal Ideals and the Regional Image," by Susan Silberberg; "Shoddy Slander on "The Young American Woman" at the Country Museum," by D. ... [details]
Edited by Morgan Fisher and Michael L. Smith. Essays " "Connections: The Work of Charles and Ray Eames": A Review," by Richard Armstrong; "In Completion Drawing," by Robert Janz; "Some Introductory Remarks," by Morgan Fisher; "Ways and Means," by Beverly O'Neill; "A Letter from Stan Brakhage," by unattributed artists; "The Don and Maureen Campbell diagram to be applied in any metaphoric manner they wish," by John Knight; "Six Films by Ken Feingold," by David James; "Special FX Breakdown," by Michael McMillen; "Portions of Sidewinder's Delta: Construction Details," by Pat O'Neill; "Talking with Jack Goldstein," by Morgan Fisher. [details]
October / November 1977 issue of the periodical "Journal." Edited by Michael Auping. Contents include: "In Memorium: Mitchel David Duggan;" "A Conversation with George Herms," by Susan C. Larsen; "Notes on a Recent Project," by Helen and Newton Harrison; "Some Recent Legislation;" "Book Review," by Richard Armstrong; "A Dialogue with Raul Guerrero," by David Trowbridge; "Crepe de Chine," by Kim MacConnel; "A New-Found Career," by Martha Rosler; "Asians," by Hap Tivey and Melinda Wortz; "For Your Information;" "The Visiting Artist," by Peter Plagens. ... [details]
Edited by Debra S. Burchett and Bridget Reak-Johnson. Cover by Richard Jackson. Essays "Re the Production of Work in the Age of Mechanical Art," by Jim Pomeroy; "A Proposal," by Kristine Stiles; "Fetish to Physics," by Melinda Wortz; "History / Art," by Christopher Knight; "Paragraphs," by Sanda Agalidi; "Notes for "Progress, Not Adventure," " by Al Ruppersberg; "Isolated Imagery: Joe Goode," by Michele De Angeles; "A Conversation with Vija Celmins," by Susan Larsen; "Chandlerism," by Alexis Smith; "Untitled," by Elyn Zimmerman; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl. [details]
Edited by Jim Moisan, Debra S. Burchett, and Bridget Reak-Johnson. Cover by JoAnn Callis. Essays "Why Is That Photographer Working in the Graveyard?" by Dody W. Thompson; "A Conversation with Ed Ruscha," by Trina Mitchum; "Cronies," by Sandra McKee and Karen Jossel; "Mickey," by Norman Klein; "Independent Film," by Sandra Matthews; "On Interviewing," by Susan C. ... [details]
Edited by Debra Burchett and Bridget Johnson. Cover by Ed Ruscha. Essays "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin; "Painting: Back to Back," by Melinda Wortz. [details]
Edited by Bridget Johnson, cover by Eleanor Antin. Essays "Video Art in Southern California," by Louise Lewis; "VD Lives/TV Must Die," by Vito Acconci; "Mass Media and the Artist: A Conversation with Gene Youngblood, Tamara Tovey, John Riddler and David Ross," by Davis Ross; "Interview with Eleanor Antin," Dinah Portner; "ADP: An Answer Driving the Problem," by James Hugunin; "The Regime of the Video State," by John Riddler; "The Holland Race," by Robert Morgan; "Film Space: A Preliminary Sketch," by Grahame Weinbren; "Painting: Americans in Paris," by Francis Colpitt; "Performance: What Can Happen, What Does Happen: The Kipper Kids," by Fredrica Drotos; "Photography: Count Dracula in the Olive Grove," by John Brumfield; "Photography: A Growth Investment," by Dr. ... [details]
Edited by Bridget Johnson, cover design by Doug Wheeler. Essays "Art at Large," by Peter Clothier; "At Large in Santa Barbara," by Richard Ross; "You Can't Tell a Book by Its Cover (But You Can Locate a Text by Its Spine)," by Robert C. ... [details]