American Edition. Simultaneously published by ART-PRESS Verlag, Düsseldorf; Buchhandlung Walther König, Köln; Wittenborn and Co, New York; and Centro Di, Firenze. Text in German, French and English. [details]
Exhibition catalogue published in conjunction with show held 1970. Text by Guido Ballo in Italian. Includes a biography and bibliography. [details]
January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. ... [details]
June 1970 issue of Art-Language edited by Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, and Joseph Kosuth. Essays "Proceedings: Society for Theoretical Art and Analyses," by Ian Burn, Mel Ramsden, and Roger Cutforth; "Art Enquiry (2)," by Mel Ramsden; "(i) Concerning Some Theories and their Worlds," by Graham J. ... [details]
Issue edited by Philip Leider. Essays "Brancusi and the Myth of Ideal Form," by Rosalind E. Krauss; "Notes on American Painting of the Sixties," by Walter Darby Bannard; "Tantric Art," by Emily Wasserman; "An Interview with Chuck Close," by Cindy Nemser; "The Iconography of Symbolist Art," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "The Graphic Work of Jasper Johns," by Barbara Rose; "The Bauhaus Show in Toronto," by Robert Welsh; "The Early Work of Andy Warhol," by John Coplans; "Color Painting and the Map Problem," by Walter Darby Bannard; "Alan Saret's Studio Exhibition," by Emily Wasserman; "A Robert Morris Retrospective in Detroit," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Les Levine: Business as Usual," by Jack Burnham; "Abstraction and Literalism: Reflections on Stella at the Modern," by Philip Leider; "An Ilya Bolotowsky Retrospective Travels the West," by Knute Stiles; "Clyfford Still and the Gothic Imagination," by Patrick McCaughey; "Some Notes on the Phenomenology of Making," by Robert Morris; "An Interview with Robert Rohm," by Ralph Pomeroy; "The Year 1200 at the Metropolitan," by William W. ... [details]
Issue edited by Philip Leider. Essays "Die Brücke at Cornell," by Reinhold A. Heller; "Morris Louis: Unfurleds and Omegas," by Kenworth Moffett; "A Synthesis," by Alan Saret; "Geometric Abstract Painting and Paris in the Thirties, Part I," by John Elderfield; "An Interview with Eva Hesse," by Cindy Nemser; "Paolo Soleri," by Donald Wall; "Excerpts from Speculation (1967-1970)," by Mel Bochner. ... [details]
Issue edited by Philip Leider. Essays "Thomas Couture and the Theatricalization of Action in 19th Century Painting," by Michael Fried; "Fining it Down: Don Judd at Castelli," by Robert Pincus-Witten; "Ronald Bladen and Robert Murray in Vancouver," by Dennis Wheeler; "An Interview with Carl Andre," by Phyllis Tuchman; "Three Notes on an Exhibition as a Work," by Annette Michelson; "A Memoir of Zadkine," by Sidney Geist; "Geometric Abstract Painting and Paris in the Thirties, Part II," by John Elderfield; "19th Century American Art at the Met: 1. ... [details]
Issue edited by Philip Leider. Essays "Caro's Abstractness," by Michael Fried; "The Artist and Politics: A Symposium," by Carl Andre, Jo Baer, Walter Darby Bannard, Billy Al Bengston, Rosemarie Castoro, Rafael Ferrer, Don Judd, Irving Petlin, Ed Ruscha, Richard Serra, and Lawrence Weiner; "How I Spent my Summer Vacation," by Philip Leider; "Goodbye, Architecture," by Helmut C. ... [details]