Compendium of texts on New Music. Edited by Gregory Battcock. Essays "Introduction: In Search of the Avant-Garde," by Gregory Battcock; "Musical Cosmology," by Benjamin Boretz; "Fluxus Music," by Peter Frank; "Boredom and Danger," by Dick Higgins; "Notes on New Music," by Tom Johnson; "Definitions of Popular Music: Recycled," by Gaynor G. ... [details]
Volume of critical theory on "New American Cinema," edited, with an introduction by Gregory Battcock." Includes contributions by: Jonas Mekas, Ken Kelman, David Ehrenstein, Fred Wellington, Taylor Mead, Andrew Sarris, Rudolf Arnheim, Parker Tyler, Henry Geldzahler, Annette Michelson, Charles Boultenhouse, Ronald Tavel, Kenneth King, Amos Vogel, John Bernard Myers, Toby Mussman (on Marcel Duchamp), P. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art. Includes essays by Gregory Battcock (the volume's editor), Lawrence Alloway (Systemic Painting), Michael Benedikt (Sculpture as Architecture), Mel Bochner (Serial Art, Systems, Solipsism), David Bourdon (The Razed Sites of Carl Andre), Nicolas Calas (Subject Matter in the Work of Barnett Newman) , Michael Fried (Art and Objecthood), Bruce Glaser (Questions to Frank Stella and Donald Judd), E. ... [details]
A critical anthology on Super Realism edited by Gregory Battcock. Essays "The Real Thing," by Gerrit Henry; "Rent is the Only Reality, or the Hotel Instead of the Hymns," by Ivan Karp; "The Deductive Image," by J. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "Monuments for Nowhere or Anywhere," by Dore Ashton; " "Art in the Service of the Left?," by Battcock; "The Relevance of Ecology," by Jonathan Benthall; "The Fake as More," by Cheryl Bernstein; "Problems of Criticism," by Jack Burnham; "Art After Philosopy, I and II," by Joseph Kosuth; "The Art Workers' Coalition," by Lucy Lippard; "The Eruption of Anti-Art," by Ursula Meyer; "It's Only Words," by John Perreault; "Four Interviews," Arthur Rose [Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner]; "Art and Words," by Harold Rosenberg; "On Exhibitions and the World at Large: A Conversation with Seth Siegelaub"; "Documentation in Conceptual Art," by Lawrence Weiner, Daniel Buren, Mel Bochner, and Sol LeWitt; "The Decline and Fall of the Avant-Garde," by Robert Hughes; and "Les Levine Replies," by Les Levine. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "End of an Era," by Dore Ashton; "Humanism and Reality - Thek and Warhol," by Battcock; "Jasper Johns: Stories and Ideas," by John Cage; "The Creative Act," by Marcel Duchamp; "The Art Audience and the Critic," by Henry Geldzahler; "Th Big Canvas," by E. ... [details]
Compendium of transcripts and texts based on "Open Circuits : An International Conference on the Future of Television," which was organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City, in January 1974. ... [details]
Exhibition catalogue published in conjunction with show held at Everson Museum of Art, Syracuse, NY, September 1 - September 30, 1979 and February 1 - March 2, 1980. Traveled to Museum of Contemporary Art, Chicago, October 5 - November 4, 1979 ; University Art Gallery, Berkeley, CA, November 10, 1979 - January 5, 1979 ; Museum of Contemporary Art, La Jolla, CA, February - March 1981. ... [details]
Spring 1975 - 1976 issue of Art-Rite, edited by Edit deAk and Walter Robinson. Contents include: "Demi," by Demi R; "Clothes (That Become You)," by Dale McConathy; "Social Realism: Or Living The Artistic Life," by Willy Lenski and Judy Riflka; "The Song of Lilith," by Sylvia Sleigh; "The Gospel of Mary Magdalene," by Elaine Pàgels; "A Transcript of Patti Smith," by Patti Smith; "Rhymes Getting Even," by Edit deAk; "Pencil Moustache Makes Up," by Edit deAk; "How Very Bicentennial," by Walter Robinson; "Junk Politics," by Walter Robinson; "Trans - Atlantic Crossing," by Gregory Battcock; "Henry Pearson: Black Icons Into An Outer Space," by Lucy R. ... [details]
An updated edition of this critical anthology of early writings on Minimal and Conceptual Art, originally published in 1968, with a new introduction by Anne M. Wagner. The original anthology was edited by Gregory Battcock, with early writings on Minimal and Conceptual Art. ... [details]